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Unpublishable

24 members • Free

6 contributions to Unpublishable
INTRODUCTION POST
Tell us who you are, and what you write. You don't need to share your name. You don't need a publishing credit or a finished manuscript. All you need is a love for dark, fearless storytelling. Tell us: What kind of dark fiction do you write or read? Which author or book pulled you into this world? What are you working on right now? We'll start, this is a place where your darkest ideas finally have a room to breathe.
2 likes • Jun 15
Hi guys, I write dark fiction that explores the unsettling parts of human nature, stories where fear doesn’t always come from monsters, but from people, memory, guilt, and desire. I enjoy reading dark fiction that blends atmosphere with emotional depth, stories that feel intimate and disturbing at the same time, where the horror is slow, creeping, and rooted in reality rather than spectacle. The author who first pulled me into this world was Shirley Jackson, specifically her book titled: We Have Always Lived in the Castle. Her work showed me how powerful darkness can be when it’s used not just to frighten, but to reveal something true about the human mind.
1 like • Jun 17
@Davi Mai Thanks it's nice to be here.
Nobody's Princess (unfinished novella)
You're welcome to read this, but it was really just to test the length limit of posts. it appears to be at least 11,000 words lol. Chapter One: If the Dress Fits Frey marveled at her surroundings as she was escorted to the royal table. Opulence oozed from every corner of the banquet hall. Grandiose chandeliers, burning hundreds of candles, hung from the vaulted ceiling. They cast a flickering golden hue over the rich tableau below. “How did they light those candles all the way up there?” She mumbled to herself as a servant pulled her chair out. She stepped towards the table and waited for the chair to be slid under her before lowering her bottom as delicately as possible. “They winch them down, light them, and winch them back up,” the servant replied in a low whisper as he leaned over and spread a napkin across her lap. “You might see the pulleys attached to the cross beams if you look hard enough.” Frey blushed and chastised herself. She should be more careful. A proper princess would, of course, know how they lit the candles. Or, more likely, wouldn’t care. Keep your mouth shut, silly girl! Beneath the chandeliers, white linen dressed a dozen long feasting tables. Their silver and crystal place settings reflected distorted images of the diners taking their seats. Bedecked in exquisite fineries, the kingdom’s richest and most influential characters were earnestly engaged in high society chatter and gossip. They canoodled and cackled while waving their goblets at scurrying waiters. She admired the gowns worn by the ladies. She knew from her mother that fabric of any blue shade came at great expense, being the most difficult dye to procure from nature. Here there was a predominance of blue and indigo, violet and mauve on display. Clearly, these people enjoyed exhibiting their wealth. Almost as much as they enjoyed the King’s wine. But the garments were nothing compared to her own dress. An azure cloud of mulberry silk floated around her. Without breasts large enough to hold the strapless garment aloft, handmaidens had used hidden tape, stuck directly to her skin. Frey fought the urge to scratch her itching chest.
3 likes • Jun 17
Everyone's falling in love with Clara and Frey, and honestly, fair enough. But I need to talk about what Davi is doing structurally here that most writers spend entire careers trying to master and never quite get there. Every single character in this story is running a con. Frey is conning the entire kingdom into believing she's royalty. Duncan is conning a rebel army into believing he kidnapped the right girl. Simon is conning the King, the generals, AND the rebels simultaneously. Clara is conning everyone into thinking she's just a soldier when she's clearly the most dangerous person in the room. And Rosie is out here conning Duncan into thinking the free drinks were generosity. This story isn't about a fake princess. It's about a world where everyone is performing a version of themselves that serves their survival. And the only truly honest person in it is Frey, the farm girl who keeps telling everyone exactly who she is. And nobody believes her. That's not just good plotting. That's a thesis on how the world actually works dressed up as a medieval adventure. The brick wall this hit? I'd argue it hit it because the story got so layered it scared even its own author. Finish it, Davi. Or find that co-writer fast. Because this doesn't deserve to rot in a folder. 🖤
Jun 15 • 
Snippets
Tracy firms up her identity.
From "The Butterfly Defect" a novel currently at 150,000 words that will never see the light of day. In this scene, Tracy, having already been led to the dark side by Simon before he died, finds out what he left her in his will. And when she wonders what to do about it, she finds out even more about herself. -------- The contents of the box revealed themselves to be eighty thousand pounds in cash, which Tracy asked Adam to bank for her, a tangled bunch of war medals, pouches of rare coins and a rust stained dagger with a swastika and "SS" engraved in the hilt. She recoiled at the last item. "Is that what I think it is?" "It is. And it's illegal in the UK and most of Europe, being genuine Nazi memorabilia." When he saw Tracy frown, he added. "Oh, don't worry, it wasn't Simon's originally. He liberated it from East Berlin after the war. Nevertheless, you can't put it on the open market without risking a stiff penalty. But we have contacts if you'd like us to sell it for you?" Tracy thought for a while. Her first instinct was to have it destroyed, but her inner, darker voice spoke up. To do so would be to invalidate whatever Simon had endured to acquire it. Maybe even death-defying efforts, for all she knew. And who was she to just write that off? If he'd wanted it destroyed, it wouldn't be here. But still… "What would you think of me if I tried to make money from that?" she asked. Adam took a large swig of whisky. "It's irrelevant what I'd think of you," he said, turning the dagger so it caught the light. "I suspect you know that. But you also might like to know that I wouldn't care in the least. See, this firm has quite a niche clientele, with Simon, and now yourself being prime examples. It's okay, don't be shy about it." He placed the dagger back on the table and flicked it into a slow spin with a pudgy finger. When the spin slowed, then stopped, it was pointing right at her. "You're special, Tracy. It's no surprise you and Simon found each other. We're a little special here, too. People have their own interpretations of morality. You, Simon, me and the other members of this firm share an interpretation that's somewhat distant from the middle of the bell curve, shall we say?" He looked up from the dagger and right into her eyes. "You've not only entertained Simon's butterfly collecting, as he called it, but you've enjoyed it too, yes?"
1 like • Jun 17
Everyone's talking about Tracy and they should be. But I can't stop thinking about Adam. Because Adam is doing something in this scene that most writers never pull off, he's not corrupting her. He's just holding up a mirror and waiting. Patiently. Almost tenderly. The way you hold a mirror for someone who's been avoiding their own reflection for years. That spinning dagger isn't a threat. It's an invitation. And the most unsettling thing about this entire passage isn't Tracy's darkness. It's how carefully someone built a room for it before she even knew she needed one. That's not villainy. That's architecture. The kind of writing that makes you put the book down and stare at the ceiling because you just realised the most dangerous characters aren't the ones who destroy you, they're the ones who make you feel finally, completely, horrifyingly at home. 150,000 words. Davi. I am not asking. I am telling you. This sees the light of day. 🖤
What's the darkest book you've ever read — and did it change you?
Transgressive fiction has a way of getting under your skin and staying there. Bret Easton Ellis, Cormac McCarthy, Chuck Palahniuk, Flannery O'Connor — these writers didn't ask for permission to go dark. They just went. So we want to know: What's the one book that made you feel genuinely uncomfortable — and you loved it for that? Did it influence your own writing? Would you recommend it here, or is it too much even for this crowd? Drop it in the comments. No judgement. This is exactly the place for it.
0 likes • Jun 17
The book that broke something in me was Cormac McCarthy's Child of God. Not Blood Meridian. Not The Road. This one. Because McCarthy did something in that book that I've never fully forgiven him for, he made me understand a monster. Not sympathize. Not excuse. Understand. Lester Ballard is one of the most depraved characters ever put to the page. He descends, slowly and almost quietly, into something that should be impossible to follow. And yet McCarthy's prose is so stripped, so achingly precise, that you find yourself turning pages you have no business turning. The horror isn't what Lester does. The horror is the loneliness underneath it. The horror is that he was, once, just a man. I finished it in one sitting at 3am and then I walked through my house checking the locks on every door and window. Not because I was afraid of something outside. Because I'd just spent hours inside a human mind that the world had completely failed, and watched what grew in the dark where connection should have been. Did it change my writing? Completely. I stopped writing villains after that. I only write the abandoned now. Would I recommend it here? Yes. But not to everyone. Only to the ones who can stare into something truly hollow and not look away. You know who you are. 🖤
Jun 16 • 
Snippets
Share your snippets
A paragraph, an opening line, a scene that's been sitting in your drafts, or something you finished last night at 2am and can't stop thinking about. No polishing required. No apologies needed. Let's see what you've got!
1 like • Jun 17
I don't know why I'm sharing this. Maybe because keeping it inside is starting to feel dangerous. The investigators said there were no survivors from the crash on Route 9. All seven confirmed dead. Identified. Buried. I went to my own funeral on a Tuesday. Stood at the back in the rain and watched them lower the casket. Watched my mother collapse against my father. Watched my little sister press her face into his coat so nobody would see her break. I wanted to scream. I wanted to run to them. But the man standing beside me, the one who'd been standing beside me since I woke up on the road that night, soaked and shaking with no memory of the crash — put his hand on my arm. Very gently. Very firmly. And said, not yet. I still don't know who he is. I still don't know why I keep listening to him. But last night he finally told me what I've been kept alive to do. And I wish to God he hadn't.
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John Miller
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@john-miller-1827
Gym coach & Loves books

Active 44d ago
Joined Jun 13, 2026