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SyncRadar

519 members • Free

Paint the Noise (PTN) Pulse

121 members • Free

4 contributions to Paint the Noise (PTN) Pulse
BRIEF ROOM: TRAILER NIGHT
We’re opening up the first Brief Room session. This one is focused on trailer music. Wednesday, April 15th @ 7pm - 8:30pm (Link coming soon) This is where your ability to read direction, respond to it, and deliver with intent gets tested in real time. We listen together, break it down, and react through one lens: Does it serve the brief, while still making it yours. GUEST HOST We’re welcoming our first guest host, trailer composer @Brandon Lau whose work includes Scream, Destiny 2, and Arcane, along with campaigns for titles like League of Legends and Call of Duty. He’ll be running the session alongside PTN's @Nate Michalic and @Gilde Flores , listening, giving feedback, and breaking down what’s working, what’s not, and how to push it further. This is direct insight from someone actively creating at a high level in this space. WHAT WE’RE LISTENING FOR StructureHooksExecution within the genre If it hits, we elevate it.If it misses, we fix it. If you’re into trailer music, or want to sharpen your approach, this is where you do it. Submit your work. Show up. Be in the room. You don’t know where this leads. INSTRUCTIONS TO DOWNLOAD + STEP IN Download the attached briefs. Pick your lane and commit. This is where you read direction, respond, and deliver. NO REFERENCES PROVIDED Part of this process is learning how to find your own direction. In the real world, some briefs come with references, and some don’t. This is one of those moments where you get to develop that skill. If you need guidance, take the time to explore what fits. Listen, study, and understand why something works. If you already have a clear instinct, trust it and build from there. Either way, the goal is the same, create something that serves the brief with intention. Have at it!!!! SUBMIT briefroom@paintthenoise.com Taking submissions up until - Tuesday, April 14th, cutoff at 7pm CST -
BRIEF ROOM: TRAILER NIGHT
1 like • 11d
@Nate Michalic is there a video or example I can watch so I can submit something before the 15th
2 likes • 11d
Okay thank you so much
Scoring practice
I’m new to scoring I found a video on YouTube that has no scoring element just the FX sounds and I don’t know where to start. Do anyone have any pointers or advice?
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📺 PTN Insider Reports — Weekly Posts
The industry doesn’t hand out blueprints. We do. Most creators waste years trying to figure out how the industry works. Staying ahead is how I was able to get through the mess/noise others created.. or I "allowed" because I was not informed... So I had this mindset to get the right insights before everyone else. That’s what this is. Starting this week, we’re dropping something new inside the community: I’ll be dropping weekly reports inside this community that give you an inside look at what’s actually working in visual media music right now, straight from the --- 📺 The PTN Insider Report. --- Real case studies. Real projects. Real strategy. These aren’t hypotheticals. Each report gives you a direct look into how the music business actually functions for creators in visual media, covering deal structures, scoring workflows, licensing frameworks, publishing and rights management, creative career pathways, industry shifts, and simplified breakdowns of complex legal or business models that impact how creators earn, grow, and sustain momentum. - This is just the framework that these will touch on, to at least bring you, creators, the "awareness" lens. Each report follows a set rhythm -not just what’s happening, but how to interpret it. That’s why we built a full report skeleton to give structure. Here’s what to expect each week: --------------------------------------------------------------------------------------------- Every Weekly- PTN INSIDER REPORT - follows this Exact process: -------------------------------------------------------------------------------------------- • 📍 CONTEXT / INDUSTRY SHIFT - What’s changing right now and why it matters to you • 📂 CASE FOCUS / BREAKDOWN– We focus on something in the industry and break it down • ✅ TAKEAWAYS / ACTION STEPS - What you should be doing now to grow and position yourself • 🔬 PTN Lens - How we at PTN interpret this shift (simple, visual, or editorial POV) • 🔍 FINAL REFLECTION / CREATOR LENS - What this means for creators like us/ the mindset
 📺 PTN Insider Reports — Weekly Posts
0 likes • 12d
I’m so ready
Welcome to PTN EA – Classroom Overview
I’m fortunate to spend my time, amongst other things, teaching workshops, running one-on-one coaching, and working directly with creators who want to grow in visual media. PTN EA - is my way of bringing that same experience to a wider circle - my communities - in a way that’s structured, ongoing, and built to last. Every course here is designed to pull back the curtain on how music really works in picture - from concept to delivery - and give you tools you can apply to your own work immediately. ---- JUST in case you are new here, you can find a bit more about ME HERE <--------- -- We will start to run two tiers side-by-side: Pulse Tier (Free) Your open-access starting point. Core lessons, examples, and exercises you can use right away. A clear view of the process, the concepts, and the mindset that drive successful work in visual media. Broadcast Tier (Premium) Coming soon For serious creators ready to level up. Broadcast takes the same topics you see in Pulse and goes in-depth: full creative workflows, real briefs, case studies, feedback loops, and live working sessions. A mix of academia and industry experience, aimed at preparing you to work at a professional level. When Broadcast launches, every new course will drop in both tiers at the same time -- Pulse for the essentials, -- Broadcast for the complete system. --- Visual Media 101 — Pulse vs Broadcast (What’s the difference, why it exists, and how to try both) --- Both modules are live now: - PULSE - BROADCAST (Preview) While we’re building Broadcast, you can preview it here through selected modules and lessons. Think of it as a window into the deeper training, collaborations, and project opportunities that will roll out in the premium tier.
Welcome to PTN EA – Classroom Overview
1 like • 12d
Hey Everyone my Name is Jeffrey Jones and I’m here because I want to find my lane. I’m still getting to know the Daws and techniques but I want to make scores or music that enhances the feeling in our bodies. I joined PTN because I want to meet and network with people and I don’t want to feel unsure of I’m making music the wrong way or feel like I’m not producing something to the industry standards. I simply want to be apart of a community of people who care. I want to level up in scoring, FX editing, Networking, have a good work station process and just making beats and music!
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Jeffrey Jones
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9points to level up
@jeffrey-jones-5059
Im a Full Sail student looking to gain further knowlege about what it takes to become a great Audio production engineer for TV, Movies,and Music score

Active 4h ago
Joined Mar 10, 2026