I've personally tried to learn Ableton over the past year and I find it as unintuitive as any piece of software I've ever used. I play live as well as craft midi. What DAWs have you had success with?

Hi everyone, I was wondering if anyone had any thoughts or opinions about getting Modern Scoring Brass or Cinematic Studio Brass?

Hey everyone, Would i be right in that the Trailblazers 1 is a fuller course than what Alex started adding youtube a few months ago (the series called Free Trailer Music Course). Also, what is covered in part 2? Sorry if ive missed a post somewhere explaining this. Many thanks Jay

I think most of us composers and music creators know how to get results most efficiently. However, I have noticed that even some experienced composers still wing it for the most part. That can work, but it is not a reliable process to trust. And if inspiration does not kick in, you end up waiting and wasting time. And yes, I did this very often! 😄 To avoid that trap, I want to share the 3 steps I always follow when I compose music. This has helped me move forward much quicker and more efficiently. ---------------------------------- 1. Gather materials. At this stage, I do not judge anything; I simply collect musical ideas such as short themes, harmonic sequences, or even a scale that resonates with me emotionally. If you work with sounds rather than notes, gather your sounds as well. 2. Sketch. This is the moment I look at all the snippets and elements I like and think about how to organize them into a musical story. I move the elements around on the DAW or music notation program and let the main melody or motif experience an adventure. The sketch is raw, not polished, and not designed to impress anyone else. I usually keep this step private and do not share it with the client because it is not the finished music they might expect. 3. Develop. Here, I polish the story once it is clear to me. I add a nice packaging around the core message, turning it into a thrilling adventure for the listener. I orchestrate the sketch, mock it up with sample libraries, sound effects, trailer drums, synth pads, or whatever is needed to enhance the story. If the story is already strong, the needed elements reveal themselves quickly. If the impact is not strong enough, I work on the impact. ---------------------------------- That is how I structure every composition, whether it is client work or a small piece I write for my own amusement. I've been using this approach for the last 10 years, and it has worked every single time. 😊 So, maybe this is helpful to somebody here as well. 👍🎶

Hey Everyone! Hope you're having a great week so far. Just wanted to share some news with you - I received a PRS payment this morning, and it turns out that I had my first sync placements last year! PRS has only just caught up, but my music was used on BBC Parliament as well as a couple of Romanian television channels. I've yet to find the actual placements (TuneSat is pulling nothing back at the moment), but I'll try to share them if I find them! As for the amount, it was by no means life-changing - but it was a very nice surprise this morning and covered the reasonably hefty car repair bill that I received yesterday! It's a start, and a real motivator to kick on and keep writing and releasing tracks across libraries of all different shapes and sizes. I'm also happy with the timings - the album launched last May (Q2 2025) and the placements came between July and September (Q3 2025). Obviously mileage varies, but it's nice to see that the tracks weren't sat idle for too long before they were used! Anyway, I hope this is a bit of reassurance for those of you releasing tracks and albums and waiting for the rewards to come back. Music admin is slow and takes time, so be patient and just keep writing! (Apologies to those who already saw this message in The Sync Circle, just wanted to circulate here too and say a huge thanks to @Alex Pfeffer for all of his continued support!)