Many, many entries this cycle, well beyond what we had anticipated, and the standard of the writing has made winnowing the longlist unusually difficult. Thank you to everyone who trusted us with their opening pages. The quality was so high that the commended list is longer than in previous cycles. We are releasing the names in no particular order, over the coming days, and a shortlist will be drawn from this group. Today, in no particular order, we are announcing: - Lies on Sale by Gabby Martini - The Impossibility of Eden by Harry Wilson - Beach Dog by Tom McDonough - The Breaking Point by Fiona Harriet - The Taste of Iron by Ramona Slusarczyk - Askar and the Witch by Nina van der Beek - The City of a Thousand Eyes by Angelique Talbot - The Melusine Murders by Jesse Weiner Congratulations to all of them. Many further entries, equally commended, will be announced over the coming days. If your name is not yet here, please don't read into its absence. Names are being released in the order we can write the posts, which has nothing to do with preference, and every remaining commendation carries the same weight as those above.

A little celebration that I hope doesn’t break any rules… my novel, Perotine, was one of the top ten shortlisted in last year’s competition. It was subsequently picked up by a small publisher, and launches on Tuesday. This weekend, I’ve travelled from Jersey (home) to Gloucester to give two talks and then in the coming weeks I’ve got two appearances at home, plus a trip to the Guernsey Literary festival to discuss the book. In May, I’m also making several appearances in Wales. Exciting and very busy times! 📚 I’ve also dropped my Marlowe and C placement in several times in my promo. 😄 Good luck to everyone, this year!

Using short bible quotes as epigraphs at chapter beginnings, do most people seek copyright permission? I believe for KJV this lies with OUP, but is it always necessary? Considering using, or just removing them.

Quick question for everyone here Which part of the writing process challenges you the most right now? A) Starting the manuscript B) Finishing it C) Editing & polishing D) Formatting & publishing E) Marketing & getting reviews I’m curious to see where most writers struggle.

Hi. I am currently editing my novel. It's in the first person and I was told from a previous writing competition that I should remove the filter words as they create distance between you and the reader. (e.g. I saw, I heard, I realised etc...) However, I wonder if there are situations where it is okay to leave them in and I wanted to check if anyone has any general rules with removing filter words or knows of any good books or online articles about them. e.g. 1) If it is in speech and one of the characters says 'I saw something in the dark'- okay to leave in as it's in speech?. 2) She heard me call her name and ignored me- okay as not the main character in the filter? (e.g. she heard and not I heard?) 3) I saw him on the overhead TV screen. (Okay as the main character is watching a TV screen?) as opposed to 'I saw him come towards me' (which could have the filter removed with 'He came towards me'. ) 4) 'I couldn’t believe no one else heard it.' okay as hearing is the central focus? 5) 'I saw no sign of him'. Okay as a common expression? I'd been really keen to hear other people's experiences and expertise at editing out filter words and if there is a general technique for it. I'm just looking for a general quick set of rules if possible. If anyone knows of any that would be really helpful. Thanks so much.