Hi guys, been practicing Donna Lee for 2 days in Ab and C. My fingers are still wondering when playing in C, but tommorow will start working it in E too.

Hi, today I practiced playing pentatonics over the tune Boplicity. I know that its out of the style of the tune, but I think this expands my vocabulary. Since I think of the tune as sections in F Bb and Ab I did the following: I mix the major pentatonic on the I (or the minor on IV however you like to think about it) and the minor VI pentatonic on the II degree (to give me some crunch) diatonic to the section's key. In F that would be F G A C D and G A Bb D E.

Hi today I practiced another lick from Boplicity over the whole tune. The lick is on the I which is nice because I always practice dominants but haven't practiced any licks on the I chord.

Hi guys, today I practiced the tune Boplicity, my goal was to take the lick from the B section and try to apply it to the different dominants and then maybe get a little creative with it.

This is something that comes up a lot for me. Some keys are easier to play, some keys are easier to think about. Often these two things have some correlation when it comes to the violin. I don't like playing in B major, because I find it hard for my brain to compute the notes, especially when there are chords that don't come from the B major scale. The vi7 for example would often be a G#7b9. Playing over this effectively is harder to think about than it is in Bb, because of the amount of sharps involved. However, B major feels pretty nice under the fingers for the violin. I think it's one of the keys where it's harder to think about than it is to actually play. This has been going through my head for years as a jazz violinist. Some people might ask "why spend so much time on a key like this if you hardly ever play tunes in B?" Well, if you want to play with singers, you might have to, for one. They often need tunes in different keys for their range, and it's nice to be ready for that. Secondly, it may not be the case that you'll play in B that often, but there will be moments within tunes where the harmony rests here for a bit. If you aren't comfortable in B at all, your solo will sound disjointed and your playing won't sound consistent. Lastly, learning to play in all keys helps solidify concepts into your brain. If you can take a simple melody through all keys, you really know it, and it's more likely to become part of your musical vocabulary. Otherwise you might just see certain lines as things that work over a certain chord in a certain key. That's fine sometimes, some stuff just works well in certain places on the instrument, but really we should strive for a distinctive sound in our playing that's consistent. It doesn't feel right to sound completely different in every key you play in. Just some thoughts... Is there a key that trips you up the most? Is it because of your thought process, or because of the technical problems you have with it?