Hey everyone! 👋🎨 I’m excited to be here in Paint Better Together! I joined because I want to improve my skills, stay consistent, and surround myself with people who genuinely love creating. Whether you’re just learning or already experienced, I’m here to learn, share, and grow alongside you all. Looking forward to getting inspired, picking up new techniques, and celebrating each other’s progress. Let’s paint better, together. 💛🎨

Hello everyone! I’m excited to connect with fellow artists here. If you’re interested in collaborating with art collectors and dealers, especially for showcasing or selling your work, feel free to reach out—I’d love to explore opportunities together

Different approach in comparison to my current painting process , underpainting and glazing then will add opec colors . When painting more realistically I prefer this method. Definitely took some inspiration from this painting method to incorporate into my own painting process that involves a bright undertone with an underpainting and gold leaf

Let’s see how much more I change . I really enjoyed playing with the palette knives and silicone brushes .

I have a photograph of a waterfall I took at Yosemite back in 2016, and I’m planning to paint it in oil using four square panels that will be assembled into one frame. I’d like the colors to be as rich and chromatic — or as close to the photograph — as possible. How would you approach the glazing process to achieve that effect? The photo was shot with a full-frame camera, so I have plenty of resolution to zoom in on details though I know I won’t need it because the size will only be 8” x 8” roughly. I think I have the pigments needed to build a matching color palette. My main concern is avoiding muddy or overly dark mixtures once I start layering and mixing colors.