Just wanted to drop this little update screenshot. If you are interested on what I can all take care of, zoom in to see the stuff at the left sidebar.

A Rise member named Mike just posted this win inside the Rise community. Two years of writing for sync. First placement just landed, a track on a US golf show. The line at the end is what I keep coming back to: "Persistence pays off." That is the actual mechanic of sync. The track that gets picked is rarely your best one. It's the one in front of the right person on the right day, because you didn't stop sending. Mike took the lifetime spot in Rise because he kept showing up to the live calls and digging through the archive whenever he was stuck. The point of lifetime isn't access, it's that you stop having to think about it. A few Audio Artist Rise lifetime spots are open right now. If you want one, DM me and tell me where you're at.

Hey guys, I received this question regularly over the last few years, so I recorded a video exclusively for the community. Let's talk about the best paying industry and the easiest to get into.

I’m genuinely curious how most musicians here are generating their revenue. It’s a conversation I often have with members of my team, because the answer says a lot about positioning, leverage, and long-term strategy. Are you relying mostly on live shows, publishing, streaming, production work, brand deals, or something else entirely? I’d love to hear how you’ve structured it.

Hi everyone I have recently heard that a video game that used an AI cover and won game of the year has had the award stripped from them due to the use of AI art for a game cover. Do you think that moving forward we will need to find alternate artwork for Album covers and youtube videos to be safe? Or is it ok to still use AI?