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Unpublishable

19 members • Free

6 contributions to Unpublishable
First line challenge — hit us with your darkest opening line.
They say the first line of a story is either a door or a wall. We want doors. Dark ones. Share the opening line of something you're working on, or one you've always wanted to write but haven't yet. It can be one sentence. It can be two. Just make it the kind of line that makes someone need to know what comes next. Drop it in the comments 👇
2 likes • 2d
The night they buried my father, I finally understood why my mother never cried at funerals, she'd already grieved him years before he died, back when he was still walking around wearing his face like a borrowed coat.'
What's the darkest book you've ever read — and did it change you?
Transgressive fiction has a way of getting under your skin and staying there. Bret Easton Ellis, Cormac McCarthy, Chuck Palahniuk, Flannery O'Connor — these writers didn't ask for permission to go dark. They just went. So we want to know: What's the one book that made you feel genuinely uncomfortable — and you loved it for that? Did it influence your own writing? Would you recommend it here, or is it too much even for this crowd? Drop it in the comments. No judgement. This is exactly the place for it.
1 like • 2d
Nobody warns you about Hubert Selby Jr's Last Exit to Brooklyn. They hand you Palahniuk. They hand you Ellis. But Selby? That one you stumble across alone, at the wrong time of night, and suddenly you're rea ding something that feels less like fiction and more like a confession the world never wanted to hear. It's raw in a way that makes every other 'dark' book feel theatrical by comparison. No safety net. No narrative distance. Selby puts you nose-first into human desperation and holds you there until you either break or understand something about yourself you weren't ready to know. Did it change me? It demolished the version of dark fiction I thought I knew and rebuilt it from the ground up. After Selby, I stopped mistaking darkness for atmosphere. Real darkness is just truth with nowhere left to hide. Would I recommend it here? Absolutely. But go in knowing this book doesn't perform for you. It doesn't flinch. It doesn't apologize. Neither should you for loving it.
Tracy firms up her identity.
From "The Butterfly Defect" a novel currently at 150,000 words that will never see the light of day. In this scene, Tracy, having already been led to the dark side by Simon before he died, finds out what he left her in his will. And when she wonders what to do about it, she finds out even more about herself. -------- The contents of the box revealed themselves to be eighty thousand pounds in cash, which Tracy asked Adam to bank for her, a tangled bunch of war medals, pouches of rare coins and a rust stained dagger with a swastika and "SS" engraved in the hilt. She recoiled at the last item. "Is that what I think it is?" "It is. And it's illegal in the UK and most of Europe, being genuine Nazi memorabilia." When he saw Tracy frown, he added. "Oh, don't worry, it wasn't Simon's originally. He liberated it from East Berlin after the war. Nevertheless, you can't put it on the open market without risking a stiff penalty. But we have contacts if you'd like us to sell it for you?" Tracy thought for a while. Her first instinct was to have it destroyed, but her inner, darker voice spoke up. To do so would be to invalidate whatever Simon had endured to acquire it. Maybe even death-defying efforts, for all she knew. And who was she to just write that off? If he'd wanted it destroyed, it wouldn't be here. But still… "What would you think of me if I tried to make money from that?" she asked. Adam took a large swig of whisky. "It's irrelevant what I'd think of you," he said, turning the dagger so it caught the light. "I suspect you know that. But you also might like to know that I wouldn't care in the least. See, this firm has quite a niche clientele, with Simon, and now yourself being prime examples. It's okay, don't be shy about it." He placed the dagger back on the table and flicked it into a slow spin with a pudgy finger. When the spin slowed, then stopped, it was pointing right at her. "You're special, Tracy. It's no surprise you and Simon found each other. We're a little special here, too. People have their own interpretations of morality. You, Simon, me and the other members of this firm share an interpretation that's somewhat distant from the middle of the bell curve, shall we say?" He looked up from the dagger and right into her eyes. "You've not only entertained Simon's butterfly collecting, as he called it, but you've enjoyed it too, yes?"
2 likes • 2d
Most writers spend entire careers trying to write a character finding themselves. They dress it up in sunlight, tears, and something vaguely hopeful. This did it with a Nazi dagger spinning on a table. And somehow that's more honest than all of them. Tracy doesn't find herself in a mirror or a lover, she finds herself in the reflection of something ugly, illegal, and completely unapologetic. That dagger pointing at her like a compass finally finding north hit me somewhere I didn't expect. 'She wasn't pure; she wasn't good. She was just herself.
Share your snippets
A paragraph, an opening line, a scene that's been sitting in your drafts, or something you finished last night at 2am and can't stop thinking about. No polishing required. No apologies needed. Let's see what you've got!
2 likes • 2d
This one has been rotting in my drafts for months and I need someone else to carry this weight with me.. The grief Counselor told Mara that talking to the dead was normal. A healthy part of processing loss. So every night for six months, Mara sat at the kitchen table and talked to her dead husband like he was just running late from work. The problem started on a Tuesday. When he finally answered back. It wasn't his voice exactly. More like someone doing an impression of it. Close enough to make her heart lurch. Wrong enough to make her stomach turn. She should have hung up. She knew that. But grief makes you stupid and desperate and willing to believe anything that sounds even remotely like the person you lost. So she kept talking. And every night the voice got a little more comfortable. A little more confident. Started remembering things only he would know. The nickname he had for her. The fight they never resolved. The thing she whispered to him in the hospital when she thought he couldn't hear her anymore. She stopped seeing her grief counselor after that. Stopped seeing anyone, really. Why would she need them? Daniel was home.
INTRODUCTION POST
Tell us who you are, and what you write. You don't need to share your name. You don't need a publishing credit or a finished manuscript. All you need is a love for dark, fearless storytelling. Tell us: What kind of dark fiction do you write or read? Which author or book pulled you into this world? What are you working on right now? We'll start, this is a place where your darkest ideas finally have a room to breathe.
2 likes • 3d
Hello Everyone, Happy New week My name is Della Claimed By Lucifer Written by Elizabeth Briggs I love reading books during my free time and I'm here to have fun and get to know people.
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Della Oriana
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@della-oriana-1857
Book lover and here for fun

Active 2d ago
Joined Jun 13, 2026