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The Board Room

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3 contributions to The Board Room
The Boardroom is now in session
Most people will watch this and lock onto the speed. That's not the part that matters. The part that matters is what it didn't touch. I just dropped a video showing MIXSTEIN gain staging a 50-track session and running a '90s boom-bap dimension recipe. Live. No hands on the mouse. But watch the 50-track pass: it gain staged 41 tracks and left 9 alone. On the recipe, it put moves on some individual tracks, some on the buses, and skipped the ones that didn't need anything. Then it told me why. That's the whole thing. Every other AI tool processes everything, because all it does is pattern match. Mine makes a call about what to leave alone. That's not data training. That's 20 years of my decisions baked in. It's role-aware too, so it knows a snare from a sample from a guitar without me labeling a single track. Full walkthrough's in the video, link below. I'm opening beta testing soon and only pulling a small handful out of here. If you want a real shot, drop a comment on this post so I know who's serious. One question: when you're cleaning up a mix, what kills your momentum the most? Gain staging, de-essing, or balancing faders? That's the first thing I'm pointing MIXSTEIN at. ://youtu.be/r2yLN3h4Tic
1 like • 14h
game-changer
Drop your intro — who's behind the board?
I'll go first. I'm TouchTone DSG — 20+ years behind the console. Hybrid studio running Neve 5059 Satellite, SSL Fusion, FATSO, Lynx Aurora N, MPC Live II, and Ableton. I came up on boom bap, fell in love with anime/LoFi remixes, and I geek out over signal flow and compression topologies more than any normal person should. Right now I'm building an AI-powered mixing assistant trained on everything I've learned in 20 years of sessions. You'll see that journey documented here first. Your turn: 🎛️ What's your name / producer tag? 🎧 What's your setup — DAW, gear, anything you're working with? 🔥 What are you working on right now? 🎯 What's the one thing you want to get better at? Don't overthink it. Just drop in and say what's up. This is the room where nobody judges your setup — we just care that you're putting in the work.
0 likes • 17h
What’s up, I’m Dan. Between work, family, AI projects, and life in general, making beats has always been more than a hobby for me. It’s a passion and honestly a form of therapy. I’m a beatmaker first, mainly working in Ableton with some outboard analog flavor. I’m into warm, soulful, textured beats. Drums that knock, samples with character, and stuff that feels human. Right now I’m focused on getting my ideas to sound closer to what I already hear in my head. The main thing I want to get better at is translating my taste into the mix without the technical side killing the creative flow.
Welcome to The Board Room. The door's open — here's what's behind it.
If you came in off the video — no, that wasn't clickbait. MIXSTEIN is real, it runs in my actual sessions, and you just walked into the room where it gets built in public. Quick on me: 20+ years mixing and mastering, real outboard — Neve 5059, SSL Fusion, the WesAudio chain — and I'm building MIXSTEIN because every "AI mixing" tool I've tried treats your song like a preset. MIXSTEIN isn't that. It's Mixing Intelligence, not AI — an instrument that learns you, not the internet's average. What this room is: producers and engineers sharpening craft out loud. Real gear, real sessions, real decisions — and the why behind them. I post the build as it happens (the wins and the stuff that breaks), break down real mix moves, and you get first crack at the MIXSTEIN beta before anyone outside these walls. What it's not: a place to lurk. The people who get the most here are the ones who post. So let's start the first real thread 👇 What kills your mix momentum? The exact moment a session stalls — vocals won't sit, low end turns to mud, last night's mix sounds flat this morning. Be specific. That stall point is exactly what I'm building MIXSTEIN to kill — and your answer shapes what I build next. Welcome in. 🎛️
0 likes • 17h
For me, the problem isn’t knowing what I want the beat to sound like. I hear the character already. The warmth, the dirt, the knock, the swing, the space, and that feeling you get from certain records where everything just sits with soul. The hard part is translating that into the DAW without killing the creative momentum. Once I have to stop creating and start fighting gain staging, cuts, levels, low end cleanup, and all the little technical stuff, it starts pulling me out of the pocket. I don’t want AI making the creative decisions for me. That part is mine. I want AI to help with the grunt work so I can stay focused on taste, feel, and direction. Less fighting the mix. More shaping the character.
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Dan Morgan
1
4points to level up
@daniel-morgan-6432
I make AI make sense for human services. Systems & automations built for frontline workers, care workers, and social services. MBA. Founder of VALUED™

Active 14h ago
Joined Jun 3, 2026
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