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3 contributions to Rock Singing Success
Stage fright VS Studio fright
Hey there fellow vocalists. I'm curious if anybody has experienced these in their journey. I also would like to know what it is that you did to face these fears. Some people experience stage fright. Legs locking up at the mic stand, the forgetting of lyrics, and some people outright shut down when presenting themselves in front of a crowd of people. Doesn't matter the size of the crowd. I've also heard about people who experience the same fear when sitting in front of a microphone in a studio. The idea of being put under a microscope is terrifying for some. Where they lose all sense of their technique, they can hear all the imperfections of their voice that makes them unique. Which causes them to sit at the studio for hours continuously nitpicking themselves. Which one do you struggle with? Do you have any advice that you could give to fresh new voices that struggle with the same thing?
0 likes • 2h
@To the Sun I agree. I think repeatedly exposing yourself to these helps a lot. For example, I was comfortable on stage most of my life. The studio was a completely different demon though. I wasn't comfortable at all with the studio setting until I acquired my own home studio. Still get the jitters here and there but now that I have my own workspace I can go at my own speed.
Breath Control Demands Of Screaming vs. Singing
Does screaming require more downward force from the core muscles than singing does? It would seem to me it does. If so, maybe the type of breath control used needs to be adjusted to suit the style of vocalizing. Extreme deathcore growls require you to drop your voice box and widen your throat as you bring a massive amount of supraglottic tissue (the false vocal cords) into the airflow. To shake that heavy tissue and create low-frequency distortion, your body demands a high-volume, high-pressure burst of air from the bottom. That's typically achieved with a strong downward push from the abdominal muscles. Is appoggio style breath control capable of bringing abut the same result? I seem to recall seeing video where you said that a yoga teacher told you that she didn't want to use this type of downward push into the pelvic floor. Why did she not want to do that style of breath support? What danger did she perceive would arise from doing it? I don't recall that being explained. I'd very interested in seeing you expound on that a bit. The appoggio style intrigues me, but I wonder if, without that strong downward core push, maybe appoggio is more suited to singing with grit rather than screaming. It's my understanding that when singing with grit, the amount of supraglottic structure engagement is relatively minimal compared to when screaming. Since that huge amount of supraglottic tissue isn't being brought into the airflow and being vibrated by it to where it creates that scream or growl, it seems to me that the forces of breath needed for singing and screaming are distinctly different.
1 like • 3d
@Kenny Kendall I wouldn't say that's a bad question at all. Deathcore growls can be very difficult to perfect because they take a lot of relaxation to produce. If your compression is off in any way, perhaps you cry too hard into the scream, or you aim your resonance too high. It is very easy to mess up. Any type of added pressure near the gut or the pelvic floor will cause you to tense up and potentially grind the scream. I have found that the Pavarotti method has helped quite a bit with these struggles. Making sure there is complete intercostal and ribcage engagement. Thinking of it as an inflated balloon slowly leaking out over producing such a massive amount of breath.
1 like • 3d
@Kenny Kendall Not entirely. I've taken a lot of notes from the vocalists in that style though. Something about disgusting sounding screams just scratches that itch for me. If you know what I mean.
What Are Your August Plans?
Who are you seeing in concert? What project are you currently working on? What do you want to see happen here? HELP ME LIVE VICARIOUSLY THROUGH YOU! HAHA! I'm just kidding...mostly. While August brings a lot of transitions for me, the main transition I'm excited about is moving from months of court stuff to finally having more time for music and community. I've had so many things I want to do here, but increasingly less time to do them until now. While I it won't all be ready in August, I will be starting the setup of my new course versions, memberships, and a new vocal program, using this community as the hub. With that also comes ramping up content like I've been wanting to do for months. But there's something particular about my ADHD brain that I want to keep in mind. Often, if I tell you all the details, my brain marks it as done already. So, I'm really only going to say that I'm excited about what's coming, and would love to hear more about... What would YOU like to see here? I'm also producing an alt. rock artist while planning out my own music for this Fall. Being in the hard rock genre with a southern gothic soul, I've been thinking about collaborations as I build. I have a connection with Lzzy Hale, but I'm nowhere near where I need to be yet to bring her on. Taylor Momsen and Dorothy Martin also are on my list for the future. But I'm looking smaller, like Jared Benjamin, Lø Spirit, or others on the rise in social media. Is there anyone you would recommend?
What Are Your August Plans?
2 likes • Aug 25
Working on getting my clients scheduled for the rest of this month, along with finishing the recording process for my bands new EP. We have enough material for an album so I've been pushing that. Even though an EP nowadays is easier to digest. It's hard for me though cause I feel it's only painting half of the picture for our listeners.
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Chris Fox
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@chris-fox-1578
Vocals for High Castle Vocals for End Status

Active 13m ago
Joined Jun 23, 2024
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