Hey all, i've been MIA as I get ready for a hard launch of the app. But i wanted ya'll to know that I have deployed the Adaptation model in Story Engine. You can paste your chapters from a novel and get back an outline inside of the Story Engine development process. From there, you all know what to do. Let me know if you have questions!

Do you use the Mike AI chat in the bottom-right corner of the dashboard? It’s there to help soundboard ideas and assist with technical issues, but I’ve noticed it doesn’t get much use. Any thoughts on why that might be?

I've had my share of pain: 1. A high fall to concrete going up for a slam dunk. 2. Over a decade of fibromyalgia 3. Got hit by an SUV while crossing the street in a crosswalk on foot. 7 years ago. 4. Hospitalized due to Acetylene exposure by a negligent hvac crew, August 2025 5. Found out I have a leaking heart valve, October 2025 (I AM healed by faith). 6. November 2025 - I was told that I need my left heart valve repaired or replaced ASAP through open heart surgery. I'm not one to play a weeping violin when it comes to adversity. No excuses!!! Instead, I'd much rather flip my pain into purpose, and share this adversity through different characters and the forthcoming stories I intend to create through Scriptmatix. I've actually started working on a beat sheet for one scenario that I'll plug into the Scriptmatix plot beat: The Basketball 🏀 injury. As a writer, I'm learning that it's okay to draw more from my own experiences, the same way I would do as an actor preparing for a role. If anyone else would like to use my experiences to develop one of your characters, you're more than welcome to put your own spin on it. Happy writing, and God bless you all. 🙏🏾 Stay inspired! Freddy

I've been reviewing my analysis and documents in Scriptmatix and taking visual tone notes. After reviewing my notes, I generate mood images and one sheets in order to help capture the essence of my story. Adding tag lines to the mood images provides a little preview into the world of my primary characters and their conflicts. This also helps me stay true the needs, goals, and obstacles of each character during my rewrite process according to some of the notes in my Scriptmatix analysis.

I've been reading through the generated draft of my script and realize that one of my supporting characters shows up midway through act one, rather than him being established with purpose within the first ten pages. I'll definitely have to go back and fix this in my Scriptmatix beat sheet. I'm currently in "control mode," but I'll start over later in "creative mode" so I can do a compare and contrast between the two revisions of the first ten pages. For me, I'm far more surgical with the first ten pages than the others because the first ten pages must capture, flow, and set up everything else that follows with clarity and build up momentum so that there's a cinematic payoff later.