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AIography: The Pro AI Film Lab

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8 contributions to AIography: The Pro AI Film Lab
Coffee Hour & AMA
Hi Larry, @Lawrence Jordan hope all is well. We're almost 45mins into the call having a nice chat. We're missing you and wondering if you gonna show up today?
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Coffee Hour & AMA
Short introduction
Hi everyone, I'm Alex Klim, a filmmaker and creative director from Vienna, Austria. I've been in the film industry for almost 2 decades, worked on international film productions around the globe and finally back in Vienna running my own production company. I’m exploring how AI can scale visual storytelling without sacrificing depth, craft, or emotional truth. Currently developing narrative projects and experimenting with AI workflows for film and branded content. Happy to connect.
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This week in AI filmmaking… things escalated.
A digital “Tillyverse” for AI actors is coming. The WGA West canceled its awards ceremony over a staff strike. Luma dropped Ray 3.14 and put $1M on the table at Cannes. And fresh data from 120,000+ AI-generated videos shows just how mainstream this has become. What’s fascinating isn’t just the tech getting better (it is). It’s that acceleration and resistance are happening at the same time. On one side: synthetic talent ecosystems, production-ready video engines, vertical video dominance, global adoption. On the other: labor unrest, anti-AI film festivals backed by Oscar winners, and guild tensions playing out in public. We’re not watching a trend. We’re watching the industry reorganize itself. I break all of this down in today’s AIography—including what actually matters for filmmakers trying to build careers right now (not just argue on Twitter). If you’re not subscribed yet, it’s free and takes about 7 minutes to read. 👉 Click HERE to subscribe. And as always—I'm curious: Are we heading toward two parallel Hollywoods? Or does this all eventually merge? Let’s discuss.
2 likes • 19h
My thoughts are that AI will eventually merge with 'convential' filmmaking sooner or later. The question that first comes to my mind is, what do we think 'AI' really is? We're all used to 'non human' characters in the sense of Special FX and CGI in films, for monsters, heros, animations, evil characters, etc. - and no one seems to have a problem with that. What is the difference to an AI generated character then? If I have an idea for a story, develop a screenplay and wanna produce it, and it is convenient to use AI generated scenes merged with 'real' human sequences, instead of relying on a SFX studio asking for a budget I do not have, am I then 'banned' as it is considered AI? Whats the difference? Of course the industry feels threatened, as they are used to control the possibilities of high budget films, but this will change now and they have to adapt. Having a scene in mind, where an army of 3000 soldiers storms an enemy camp, is one line in a script, but millions of dollars to 'produce'. Hence the script might change to 'an elite group of 12 soldiers sneak into the enemy camp...' - until now. Creativity unleashed, and no one can stop us... It might be a long way to go, but ignoring it or 'banning' will not work out. My thoughts.
0 likes • 19h
@Alex Vachon I like your thoughts. To add: Think of Avatar. It is real actors with a lot of CGI and SFX combined. Even James Cameron once said somthg like he wasn't able to do the movie earlier, as tech was not ready.. And he wants to do the 3rd one fast. It will happen faster as we all would bet, and 'synthetic' actors will dominate the movies sooner or later, starting with hybrid appearances with real actors. Have we thought about theatre performances? Maybe this becomes a cultural phenomenon again and we finally go out more often so see real plays to watch real actors in front of a real audience. Broadway 2.0
Adobe Just Built an AI That Does Your First Cut
Here's Why I'm Not Worried. Adobe just dropped a new Firefly feature called "Quick Cut." You upload raw footage, type a description of what the video should be—interview, product demo, travel vlog—and it automatically produces a rough cut. Let that sink in for a second. AI is now assembling edits from raw footage based on a text prompt. It pulls from Adobe, Google, OpenAI, and Runway models. It targets product reviewers, podcasters, marketers—anyone who needs a fast edit without hiring an editor. I can already hear the panic. "They're coming for our jobs." No. They're not. Here's why. A rough cut is not an edit. Every editor in this community knows the difference. A rough cut is assembly. It's organization. It's the starting point. The CRAFT of editing—pacing, rhythm, emotional timing, knowing what to cut and what to keep, building tension, finding the story inside the footage—that's what happens AFTER the rough cut. Quick Cut is doing the part of the job that was already the least creative. It's pulling selects and assembling them in order. That's assistant editor work at best—and even assistants bring more judgment to it than an algorithm. This is actually good news for editors. Here's why: When the rough assembly takes 5 minutes instead of 5 hours, you get to spend more time on the part that actually matters—the storytelling. The craft. The decisions. This is exactly what I mean when I say everything becomes post. AI is collapsing the mechanical parts of the pipeline so humans can focus on the creative parts. The question isn't whether AI can assemble footage. It can. The question is: who decides if the assembly is any good? That's you. That's always been you. What do you think? Are tools like this a threat or an opportunity? Drop your take below.
2 likes • 5d
@Alejandro Guimoye The good old Canon 5Dmk2 - thanks for that memory. I loved that camera and it sure did revolutionize the industry and opened the field for more independent creatives. I shot one of my first music videos in 2011 with a Canon 7D, and it was perfect for the upcoming social channels (Youtube, Facebook & Co) at that time. Totally agree on your point, storytelling will be the main driver and with AI the game is on ;) Cheers from Vienna
Welcome to AIography 👋 Read This First 🚨
Before you jump in, there’s one important thing to understand about this community. AIography exists to explore how AI is reshaping filmmaking, storytelling, and creative workflows from script to screen. This is a place for learning, sharing experiments, asking smart questions, and helping each other navigate a rapidly changing creative landscape. To help keep the signal high and reduce spam, posting is unlocked once you reach Level 2. You’ll get there quickly by engaging in discussions, reacting to posts, and participating thoughtfully. What this community is NOT: - A place to pitch “make money” schemes - A place to drop affiliate links, funnels, or cold offers - A place to self-promote unrelated products or services If your first instinct after joining is to sell something, this is not the right room for you. What is encouraged: - Thoughtful discussion around AI tools and workflows - Sharing work in context (what you tried, what worked, what didn’t) - Helping others learn and think more clearly about AI and creativity - Genuine collaboration and curiosity Promotion may be allowed later and in the right context, but it is never the starting point here. Posts or comments that ignore this will be removed. Repeated behavior will result in removal from the community — no drama, no warnings loop. We’re here to build understanding and craft, not noise. If that sounds like your mindset, you’re in exactly the right place. If not, it’s better to know that now. — Larry
1 like • 5d
Really excited and looking forward to share workflows and exchange ideas
1-8 of 8
Alex Klim
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13points to level up
@alexander-klim-8206
Filmmaker | Visual Poet | Builder of Cinematic Worlds | Storyteller @21East.com

Active 32m ago
Joined Feb 26, 2026
Vienna
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