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Owned by Hansheng

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318 contributions to TheArtCollectiveInternational
🚧 WIP Wednesday~
A little reminder that “work in progress” doesn’t just mean paintings. It could be: 🎨 A sketch that’s still finding its footing. 🧵 A project spread across your desk. 📖 A new skill you’re practicing. 🖥️ A website you’re slowly building. 🪴 A garden that’s only halfway planted. 📝 An idea that’s lived in your notebook for months. Progress isn’t always pretty, and it definitely isn’t always finished. So… what’s on your desk, easel, screen, workbench, or sketchbook today? Share your WIP below! We’d love to see what you’re creating, where you’re stuck, what you’re experimenting with, or what you’re excited about. This community isn’t just here to celebrate finished pieces~ we’re here for the messy middle too~! Happy creating! 🎨✨ On my end~ Studio's renovation imminent~ Soon we will be combining mine and Chris's workbenches (sort of...) into one long bench with folios in between, so it doubles as a meeting/photo station too~! Slow, deliberate work, summer's the season for it. In between all that, still expanding the Temple Series and working through some sumi-e pieces~ leaning further into the Asian-inspired, Zen-esque direction that's carrying into the bigger combined launch coming July 31st. More on that soon~ What's on your workbench this week? 🎨
0 likes • 6h
@Maizi. Exe these are great ideas~!!! I can’t wait to see the finals~!
My Mom is turning 76 tomorrow
I used my pencils and drew this for a birthday card and now don't know if I should spray it with hairspray or toss some colored pencil on it or ... something. . . I don't have the "workable fixative" and I'm not in the habit of doing this...any suggestions are welcome.
My Mom is turning 76 tomorrow
0 likes • 19h
This is such a sweet gift~!!! ❤️🥹 Personally, I’d skip the hairspray if you can. It was a common artist trick years ago, but the formulas vary so much now that it can sometimes yellow, become sticky, or even affect the paper over time~ and we want this to last~ <3 If it’s already where you want it, I’d honestly leave it as is for the birthday and simply handle it carefully. If you have time after, picking up an artist’s fixative (Krylon, SpectraFix, Winsor & Newton, etc.) would be the safer long-term option~ Also~ if you’re giving it as a card, you could also slip it into a protective sleeve or frame after she opens it or even before hand~! Or put baking/ parchment (JUST NOT WAX~!) as a protective layer~!! That’ll do more to preserve it than hairspray and definitely safer! Also~ I think your mom is going to treasure it far more because you drew it than because it’s perfectly preserved. 😊🫶🏻 Happy Birthday to your Mom~!!!
1 like • 19h
@Carin Chantel No problem~! ^_^ <3 Happy to help for such a wonderful occasion and special piece~!!
🎨 Prompt Me: Bridge
Word of the Week: Bridge Bridges connect more than places~ They connect ideas, people, memories, cultures, generations, and moments in time. They can represent hope, transition, distance, reunion, or the courage to cross into something unknown. Your bridge can be real or imagined. Ancient stone. Steel and glass. A fallen bridge. A bridge made of roots, clouds, books, light, or something only your imagination could build. Think about: 🌉 What does your bridge connect? 🌊 What’s beneath it? ✨ Is it being crossed… or left behind? Create in whatever medium inspires you, then share your work with the community. We’d love to see not just what you made, but the story behind it. Happy creating. 🎨
1 like • 1d
@Christopher Foster I really like this perspective. I think a lot of artists see traditional and digital as an either/or choice, when they’re really just different tools in the same creative toolbox. For me, digital isn’t a replacement for traditional work~ it’s an extension of it. Traditional gives me the texture, spontaneity, and physical connection to the piece. Digital lets me preserve it, prepare it for reproduction, experiment without fear, and share it with people all over the world. The bridge isn’t about leaving one medium behind. It’s about letting each one do what it does best. I think that’s where some of the most exciting creative possibilities live~! 🎨🌉
0 likes • 1d
@Christopher Foster I completely agree. I think every medium has a purpose, and part of becoming an artist is learning which medium best serves the idea you’re trying to communicate~! Sometimes that means watercolor because it captures softness and atmosphere. Other times it’s digital because I need flexibility, iteration, or a production-ready file. Neither is “better”~ they simply solve different problems and avenues~ For me, the bridge between traditional and digital isn’t about replacing one with the other. It’s about giving each medium the opportunity to do what it does best. There's something wonderful and almost magical about that~ 🥰🎨 (Also I was never one to just choose one thing 🤣)
🌳 Trees are patterns, not puzzles.
One of the biggest hurdles when learning to draw trees is trying to capture every leaf, every branch, and every tiny detail all at once. Instead, train yourself to see the larger forms first. Start with the overall silhouette. Find the direction of the trunk. Look for the main branches that carry the structure before you worry about the smaller ones. As you build outward, think about how branches divide, how they taper, and where light naturally creates areas of shadow and highlights. You’ll also notice that no two trees grow the same way. An old oak has a completely different rhythm than a pine, maple, or willow. Spending a few minutes observing real trees~ whether outside your window or in reference photos~ will teach you more than trying to memorize a single formula. Once you understand the structure, the details become much easier to add. What kind of tree do you find the most challenging to draw? Any that you are more drawn to or find easier?
🌳 Trees are patterns, not puzzles.
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@Christopher Foster That’s a great question~!!! Blooming trees are one of those subjects where less really is more. The biggest mistake I see is treating every blossom as an individual flower. Instead, think of the blossoms as masses or clouds that wrap around the branch structure. I usually start by blocking in the overall silhouette of the bloom first, leaving intentional gaps so the sky can peek through~ Then I add a few clusters of blossoms to define edges, areas of overlap, and places where the light catches. Most of the detail stays around the focal area, while the rest is implied with shape, value, and color rather than individual petals.
1 like • 1d
@Christopher Foster I’m so glad it clicked~! 😊 Once you start thinking in terms of large masses first and the smaller details as “windows” into those forms, it becomes much easier to keep a piece cohesive. The details stop competing with one another and instead support the overall read of the image. It’s one of those mindset shifts that carries over into almost every creative discipline~ illustration, design, sculpture, even photography. Build the big picture first, then let the details reinforce it. I’m can't wait to see your next iteration~!!! 🎨💙
🪨 Rocks
Rocks aren’t complicated~ they’re just honest. When people first try drawing rocks, they often focus on every crack and texture they can see. The result usually ends up feeling busy instead of believable. Start by finding the largest shapes first~ Every rock has a sense of weight~ Think about where it rests, how its surfaces catch the light, and which planes turn away into shadow. Once that foundation is solid, you can begin adding smaller chips, fractures, rough textures, and subtle color variations. Another thing to remember: nature rarely repeats itself. Some rocks are smooth from years of moving water. Others are jagged from fresh breaks. Some are covered in moss or lichen, while others have sharp edges that haven’t had time to weather. The more you observe real rocks, the more you’ll notice they tell the story of where they’ve been. Slow down, study the forms, and let the texture come last. What’s your favorite kind of landscape to draw~ mountains, forests, beaches, or deserts?
🪨 Rocks
2 likes • 3d
@Diana Pequeno right?! The little things that make an environment feel… more~ real/ deep/ spatial/ lived~ tiny but impactful~
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Hansheng Lee
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@leehanshengstudios
Taiwanese American artist, writer, cook, and educator blending art, story, food, and nature through community, creative practice, and accessibility.

Active 3h ago
Joined Jul 10, 2025
ENTJ
Taipei, Taiwan