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The Practice Room

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290 contributions to The Practice Room
Spice Up Your Alternate Picking Runs With This Vinnie Moore Idea
This is a nice variation on the classic 3nps sixes run, got this idea from Vinnie Moore. https://youtu.be/dbrq1GzmsBo
1 like • 2d
@Acke Wenelius Sounds good already! I think an easier way to think about the 9's is to see it as groups of 6's. So A-D is your first, G-D your second, G-B your third. I find that makes the picking feel more natural instead of trying to see it as 3 groups of 3 and then getting the next groups starting with an upstroke. That makes sense if you're actually playing 9 note groups per beat, but we're not doing that here. Let me know if you have no fucking idea of what I'm talking about😬
0 likes • 11h
@Acke Wenelius
8-Week Legato Intensive Daily Accountability Check-In
This thread is optional, but it’s usually a very good idea to check in here once you’re done for the day. Consistency is everything in a program like this, and a simple public check-in helps a lot more than most people expect. How to check in Post a comment using this format: Week X - Day X completed Example: Week 1 - Day 3 completed That’s it. No explanations needed. Just mark the work done and move on with your day. Use this thread as your running log for the full 8 weeks.
8-Week Legato Intensive Daily Accountability Check-In
9 likes • 2d
@Andrii Vasylkiv More is More as Yngwie said 😅 but it's a bit more nuanced than that. Would you improve faster doing 2-3 hours per day? Yes. But at some point you have to zoom out and ask what you can realistically sustain. You'll gain more from 1 hour of focused practice every day for a year than blasting 3 hours a day for 3 weeks and burning out. You've done 56 hours of alternate picking and you're closing in on the same with legato. In the grand scheme of things, that's still early days — but in a year that's 300+ more hours per technique, which will absolutely move the needle. Tortoise and the Hare. My teacher at GIT said most students would "impress themselves" after 90 days of 2 hours per day of alternate picking. That's 180 hours, so you can't expect to be Paul Gilbert after 8 weeks. The Intensives are an amazing springboard toward those numbers, and they solve the problem of figuring out what and how to practice. As you've noticed, the results are real.
2 likes • 1d
@Chuck Umanita Beautiful!
Find the picking motion that works for You
Just finished building something I’ve been wanting to put together for a while. It’s a free interactive tool to help you find your fastest clean picking motion, built around the speed burst method I teach. The whole thing runs in your browser. You get the phrase as a tab, a seven step burst protocol you can check off as you work through it, the rules that keep the burst honest, and a session log to track your max clean burst over the next couple of weeks. Everything saves locally. I made it interactive instead of writing a blog post because the burst method only works if you actually do the steps in order and stick to the rules. Reading about it is not the same as running through it with the phrase in front of you. If you’ve been hitting a wall with picking speed, or if your slow practice and fast attempts feel like two different motions, start here. Ten minutes a session is enough. https://www.jonbjorkmusic.com/picking/ Curious to hear what max clean burst people land on with this phrase.​​​​​​​​​​​​​​​​
Find the picking motion that works for You
🎸 Share Your Technique Questions, Clips & Practice Wins
This is where we get to work. Use this space to: - Ask questions about your technique - Share short video clips of what you’re working on - Get feedback on your picking, fretting, timing, or phrasing - Talk about how you’re applying routines from lessons or your own practice 🎯 Want helpful feedback? Include: - What technique you're working on - What you're struggling with - Tempo (if relevant) - What you want feedback on (specific or general) Let’s keep the vibe focused and encouraging. We’re here to improve — one clean rep at a time.
1 like • 3d
@Jonathan Lupo Music theory is music theory so there's not really a special one for metal. Your best bet is to learn it all and starting by understanding the major scale and then it's modes is essential. That's covered in my "Playing What You Hear" course, that's included in Pro btw. https://www.jonbjorkmusic.com/playwhatyouhear/
0 likes • 3d
@Jonathan Lupo Yes, movable do Solfege.
Week 7 is live in the Legato Intensive.
This is where things start to feel real. We’re taking the same concepts you’ve been working on and pushing them harder across the fretboard. The All Hammers this week are no joke, and the two-string and multi-string stuff will really test your timing and control. If you’ve been consistent up to this point, you’re going to feel the difference. If you’re not in yet, you can still jump in right now. It doesn’t matter that we’re in week 7. You start where you start and get to work. The results come from doing the work, not from when you joined. Head to the classroom and get started.
Week 7 is live in the Legato Intensive.
1 like • 5d
@Acke Wenelius Make sure to use normal pull offs as well since that’s what you’ll be using in your day to day playing.
1 like • 3d
@Acke Wenelius Longer runs are just several shorter ones combined. So you can work on each individual section (however you see them in a particular run) and get those up to speed and then you start connecting them.
1-10 of 290
Jon Bjork
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@jon-bjork-2495
Guitarist & Composer from Stockholm, Sweden.

Active 2m ago
Joined Aug 12, 2024
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