Music is not just songs on a playlist. Music is in EVERYTHING. It is in every movie and TV show you watch — someone got paid for that. It is in every commercial that makes you feel something before you even realize you are being sold to — someone got paid for that. It is in every store you walk into, every elevator you ride, every restaurant you sit in, every video game you play, every podcast intro, every YouTube ad, every TikTok that goes viral because the sound hit just right — someone got paid for ALL of that. Music is a multi-billion dollar industry that runs through every corner of business, entertainment, and content. And here is the part that should make every artist stop and think — most of the people getting paid are NOT the ones who created the music. That is the difference between an artist who built a legacy and an artist who built someone else's empire. Ownership. And ownership starts with knowledge. I watched an interview with Meek Mill recently and he said something that every artist needs to hear. He told people to take their contracts and import them into ChatGPT or Claude and have it explain every single clause like they are in high school. Why? Because so many artists have signed their lives away to deals they did not understand. Lost their masters. Lost their publishing. Lost the right to their own name. Not because they were not talented — but because nobody taught them how to read the room before they signed on the dotted line. Meek Mill said it. And he lived it. That is not theory. That is experience talking. This community exists because that should not keep happening. Music is in everything. Which means the opportunity is everywhere. But only for the people who understand how it works. That is why the classes keep coming. That is why this community keeps growing. And that is why I am not slowing down. — Shelbs | 12th & Luxe AiMusicSkool

Because most people only know about one or two of these and they are leaving real income on the table every single time they release a track. Here is the full list. Streaming Royalties: Every time your song plays on Spotify, Apple Music, Tidal, or any other platform — you get paid. Small per stream but it compounds. The more songs you have out the more streams you collect every single day without doing anything extra. YouTube Ad Revenue: Upload your music to YouTube and once you hit 1000 subscribers and 4000 watch hours you qualify for the YouTube Partner Program. Your videos generate ad revenue every time someone watches. Ambient music channels, lyric video channels, and study music channels make serious passive income this way. YouTube Content ID: Even before you qualify for the Partner Program you can claim your music through Content ID. When anyone else uses your track in their video — YouTube pays you a cut of the ad revenue from their content. Your music works for you even when you are not posting. Facebook Reels Bonus: Facebook pays creators more for Reels than almost any other platform right now. If you are using your original Suno music as the audio on your Reels you are earning on the content AND collecting royalties on the music. Two income streams from one post. BMI and MLC Registration: This is where most people leave the most money. Every time your song plays publicly — on radio, in a business, on a streaming platform — you are owed performance and mechanical royalties. Register your music with BMI or ASCAP and register your recordings with the MLC. Set it up once and collect forever. Beat and Instrumental Sales: If you produce beats or instrumentals you can sell them on BeatStars, Airbit, or your own store. License them non-exclusively and the same beat can sell hundreds of times. AI tools let you produce more beats faster than any traditional workflow. Merch: Your music builds a brand. Your brand can sell products. Print-on-demand platforms like Printful and Printify mean you never touch inventory. Design it with AI. Sell it forever.

Facebook pays more for Reels. That is not a secret. But here is the part most people are sleeping on. If you are using music you created in Suno on your Reels content — that music needs to be logged with BMI, MLC, and any other PRO or royalty collection organization you are registered with. Because if your content goes viral on Facebook and your music is playing underneath it — you should be collecting on BOTH ends. The Reel performance bonus AND the music royalties. That is two income streams from one piece of content. Most creators are leaving one of them completely on the table because they never registered the music. Do not be that person. The move is simple: ✅ Create your track in Suno ✅ Add it to your Reel as the background audio ✅ Log it with BMI, MLC, and wherever else you are registered ✅ Collect your performance royalties when it gets played ✅ Stack your Reels bonus on top of that If it goes viral that is just extra. But even without going viral — consistent plays add up. Royalties compound. And you deserve every dollar your music earns.

So when you are trying to perfect your craft......

Here's the link for the prompts as promised: https://claude.ai/public/artifacts/2c6042c1-18f4-427b-a74c-541c930cdb6c *Please let me know if you have any questions! Check out OPUS CLIP: ----> https://www.opus.pro/?via=12thnluxedigital