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🖼️ Welcome to Critique Corner!
This is where you can get honest, constructive feedback from me on your work — composition, technique, colour, whatever you're stuck on or want a second eye on. First session: Friday 4th September, running weekly on Fridays after that. Want your work critiqued? Click on my profile picture at the top of this post and send me a DM with a photo and what you'd like feedback on — I'll pick pieces to feature here each week.
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🎨 Welcome to Tips & Demos!
This is the space for quick technique tips, behind-the-scenes demos, and anything process-related — from me and from you. Pencil techniques, materials, shortcuts, "how'd you do that" moments — all welcome. 🗓️ Kicking off Tuesday 25th August, and running weekly from there. Got a tip of your own or a technique you're playing with? Drop it in the comments — I want this to be a two-way thing, not just me talking at you. Questions welcome too.
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Welcome to Portrait Artists Collective!
Glad you're here. This is a community for people learning pencil portraiture, from complete beginners to people refining their skills. You're in at the start of this, which means it's still being built, by you as much as by me. Here's how it works: - General Discussion — post your own work, even the rough bits. Ask questions, say hello, tell us what you're working on. - Tips and Demos — posted every Tuesday (NZ time — may land a day earlier for you depending on where you are). - Critique Corner — one submitted piece looked at properly, every Friday (NZ time — same applies) from 4 September. Our first live call is 6pm Friday 11 October, NZ time, open to everyone. Btw check the calendar tab for each month's lives. 💚 If you know someone else who'd get something out of this, bring them along. The one thing that I am after is a really enjoyable community where people can share and learn. The only rules this community has are there for that purpose: 1. Be respectful to other members 2. Keep posts on topic 3. Please respond to other members' posts 4. Enjoy learning and remember to only measure your progress against yourself - we all come to this with different experience and styles Paid membership is open now at $9/month (USD), locked in for life if you join before 15 November. After that the price moves up to $19/month for new members. Paid gets you the full 12-module self-paced course and priority in Critique Corner. Please introduce yourself and tell us what you enjoy drawing most.
Critique Corner
Hi everyone This is the first critique in this community. I will not name the person whose work it is because I think that is a better way to give people the confidence to share. The person who drew this has some experience although a lot of time gaps in their practice. I have included the original so that you can see a comparison. Overall, it is a really great drawing. If you know the person they have drawn, you would definitely recognise them. The attention to the features is great - particularly the fact that you can see more of one side of the face and the ear than the other - and you have definitely caught her expression. Next step would be to check proportions in the jawline on the left hand side as you look at the photo (and also the forehead) - both are a bit wider . My first thought was that the chin was a little long but actually it isn't and shading, once you get to that stage, will make it feel like the photo. If I am doing a portrait like this, I often do a bit of light shading to check the effect and give myself a clearer look. With work on the left hand jaw/forehead width and then shading on the base of the chin, the likeness would be excellent. Well done 💚
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Critique Corner
Portrait Placement - the Goldilocks rule
Where you put the head on the page changes everything — before you've drawn a single feature. These pictures are to show what happens when you place a portrait in different areas of the paper you are drawing on. 𝗩𝗲𝗿𝘁𝗶𝗰𝗮𝗹𝗹𝘆: - Dead centre feels squashed — too much dead space above. - Jammed up top feels like they're banging their head on the edge of the page. - The sweet spot: eye level sitting around a third of the way down, or just below. Use the eyes as your guide. 𝗛𝗼𝗿𝗶𝘇𝗼𝗻𝘁𝗮𝗹𝗹𝘆 (𝗵𝗲𝗮𝗱 𝘁𝘂𝗿𝗻𝗲𝗱 𝘁𝗼 𝘁𝗵𝗲 𝘀𝗶𝗱𝗲): - For a portrait where the person is looking straight at the camera, central placement is usually good. However, if you are drawing a portrait where the person is looking to the left or right, it feels slightly strange if they are completely central. - To further magnify this, if you look at the picture where the nose too close to the edge, they're staring off the page, and so are you — your eye follows theirs right off the paper. - Move their head so they have less space behind and you will see that the gaze has somewhere to land, and the whole thing feels balanced. Small shift, huge difference in how "settled" a portrait feels. 👀✏️ Which one of these three feels most "off" to you at a glance — before you even knew why? Drop a comment below 👇
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Portrait Placement - the Goldilocks rule
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