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🎤 Start Here - Welcome to the Musician's DIY Hub!
This space is for musicians who want to understand music as a whole - not just one piece of it. You can be here because you want to: - sing more confidently - learn piano or music basics - write better songs - understand the music business - figure out how to protect, release, or pitch your music - or just ask questions you don’t know who else to ask I’m Leslie. I’m a working musician, songwriter, teacher, and music business professional. I built this hub to be a place where musicians can get real answers, without hype or pressure. There’s no “right level” to be here.Beginners belong. Experienced musicians belong. Curious musicians belong. If you’re new, introduce yourself below - or just read and learn until you’re ready.
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How to Use the Musician’s DIY Hub 🎶
Welcome - here’s how this space works so you can jump in without overthinking it. This hub is a mix of: - free lessons and tips - deeper paid lessons for Core Members - open discussion and questions about any part of being a musician You don’t have to do everything. Just start where you are. Here’s how most people begin: 1. Read the pinned posts so you know where things live 2. Introduce yourself (or don’t — lurking is welcome) 3. Watch one lesson that feels useful right now 4. Ask a question when you get stuck or curious What you can ask here: - singing, piano, songwriting - music basics and theory (no sheet music required) - copyright, publishing, releases, and getting songs cut - creative direction, burnout, and next steps Beginner questions are welcome. Advanced questions are welcome. There’s no pressure to “keep up.” Use this space like a resource - not an assignment.
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🎹 New Course Added: Piano Challenges
I just added a brand new section to The Leslie Method called Piano Challenges! This is a bonus area for anyone who wants to push their coordination, creativity, and musical skills a little further. Each challenge is designed to stretch your brain and help you become a more confident player. Right now there are 4 lessons available, and I’ll be adding new challenges over time. In the current challenges, we’re actually building a piece step-by-step, adding a new 4-count each week. It’s a fun way to practice coordination and see how small pieces can turn into a full song. Jump in and try the challenges when you have a few minutes to play! Let me know how you do. 🎹
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🎹 New Course Added: Piano Challenges
🎧 Studio Recording Begins March 5
I start recording a new album on March 5! I’m not announcing all the details yet - but this one feels very me. Over the next few weeks, I’m going to share: *Raw vocal takes *Studio moments *Arrangement changes *The messy middle *Decisions that don’t make the final cut You’ll see the real process - not just the finished product. If you’ve ever wanted to watch an album take shape in real time, you’re officially in the room. Any guesses as to what the album will be called? It's filled with songs from several different genres. :)
🎧 Studio Recording Begins March 5
What “good feedback” actually looks like
I got some really encouraging feedback on the last round of songs I sent to my publisher, and I wanted to share what that actually looks like behind the scenes. Of course, I always hope for the best - but in this business, you also have to mentally prepare yourself for “no” and learn not to take that personally. In this case, I got some yes's! What stood out to me wasn’t just which songs they liked - it was how specific the feedback was and how my thinking aligned with theirs. This helps me stay confident in being respectful of their time by only sending songs that are at the top of my game. Some songs landed vibe-wise or musically but needed stronger lyrics. One song is being tested quietly with some A&R people before any decisions are made on a single song contract (which is always really good news). Another song is one they want to “live with” for a bit - meaning they’re interested and want to spend more time with it. None of that is a hard “no.” It’s just part of how songs actually move forward behind the scenes. Honestly, having two songs land enough to even be considered is a huge accomplishment when you think about the incredible songwriters they work with daily. I’m really excited about that! The hardest part for me is learning when not to fix things just because I can. Sometimes the smartest move is to leave a song alone and write the next one better. I specifically asked on one song whether I should rewrite it or just write a new song with a similar vibe. That kind of guidance is crucial - it keeps me from wasting my time or theirs. Their answer was to keep the vibe, but write a new song. Do I still love the original song? Yes. Do I take this as “they don’t know good songs”? Absolutely not. In fact, I agree with their advice. That song was always meant to be more of a chill, vibe-driven track, and I liked letting the lyrics remain simple. I mostly wanted to see if they were interested in that style. Now that I know they are, I can focus on giving them what they’re actually looking for.
What “good feedback” actually looks like
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