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START HERE: Introduce yourself to the community!
This community is here to discuss the nuts and bolts of clowning and comedy and help each other be funnier! Welcome to the party! Please introduce yourself in this post , and include your name, location, and a little bit about where you are performing and where you are in your comedy journey. (And don’t worry, if you are not a performer, or a complete newbie. We are here to help!) After you introduce yourself, go to the Classroom and do the easy peasy START HERE Classroom link (early users, it might not be there yet!)
Brisbane Clown Festival
Hi everyone! I am creating a brand new clown festival in Brisbane, Australia. www.brisbaneclownfestival.com.au
Brisbane Clown Festival
Your entrance is vitally important.
People will often say that for a job interview, the first 5 seconds are the most important. I could not agree more, especially when it comes to comedy. How you enter the stage, and the first couple of things you do, BEFORE YOU SPEAK tell stories to the audience about who you are, what they should expect, and whether or not they are going to enjoy the next 5-7 minutes. I was recently at an open mic where I was asked to give feedback to the mostly beginning comedians after each 3 minute bit. Of the seven comedians, 5 rushed their opening moment, 2 of them didnt look at the audience, and 3 of them started with their hands in their pockets. One took her time with the opening (she was listening to the feedback I gave the other comics) and but then waited a little too long before starting, and let the moment pass. Most people should start with energy and positivity. Being friendly, relaxed, ready to engage. Hands out of pockets, open, engaged.Eyes alert. Look at the audience. I am not saying that EVERY comedian has to start here Some people can start at a negative energy and pull it off. Gilbert Gottfried, Sam Kinison, Lewis Black, Steven Wright come to mind as guys who dont start with a positive energy. And there are other people that have distinctive or even negative habits that they start with, and they manage to make it work for them. Two things about this: • When they enter they are very directed and channeling energy that makes people watch and pay attention. It's part of their charisma. (There's a funny bit in this video https://www.instagram.com/reels/DRFUFS1kTnQ/ where Liam Niessen is trying to improvise comedy with Ricky Gervais, and he keeps on bringing up things like famine and Aids. The director Stephen Merchant says maybe avoid those subjects. Niesen says "How can Ricky Gervais do it, and get away with it." To which the director "No one knows." Some people can get away with it. But guess what, you, the beginning comedian, are probably not the exception).
Joke Writing "Cheat Sheet"
I found the attached "Cheat Sheet" really helpful for writing jokes. As an exercise, I try to write a joke using each of the 11 filters on a specific subject/opinion. I find it to be great fun.
What's your Creative Practice?
Was listening to a podcast today and it said something about when you get stuck, you need to return to your creative practice, and it made me think it would be a good topic to start here. I try to do my creative work in two phases-- in the morning just after I have woken up and I am still in the dreamy phase (and I often find that I have great ideas in the shower, so I try to write them down and noodle them. I try to do my business stuff in the afternoon (when it's morning in the states) I also have an afternoon energy burst around 4-6 pm, and I try to get some writing or rehearsing in then. If it's a performance day, that sometimes gets cut into if I have to drive/get ready. And sometimes I don't have that burst, so it doesn't happen. On the weekends, I typically spend Sunday mornings at a cafe writing. So what's your practice? How do you get better at what you do?
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