2d • 📚 Recursos
Probando NanoBanana Pro + Kling O1 para crear contenido más rápido (y mejor)
En estos días he estado probando a fondo NanoBanana Pro y Kling O1, y sinceramente los resultados me han sorprendido bastante.Más allá del “wow visual”, quise ir un paso más allá y probar cómo podemos usar estas herramientas para crear contenido más rápido y con mejor flujo de trabajo.
Ya estoy terminando varias pruebas y quise compartirles algunos de los resultados que he ido viendo, junto con los screenshots del proceso y los prompts que utilicé, para que puedan analizarlo con calma y ver si esto también les serviría para sus propios videos.
En esta prueba específica:
- Generé dos personajes ficticios
- Los ubiqué en entornos reales de Panamá
- Jugué con el entorno, la narrativa visual y
- Probé animaciones directas dentro de CapCut
La idea ahora es:
- Juntar los aprendizajes
- Subir un par de tutoriales paso a paso
- Y luego hacer algunas sesiones prácticas para ver cómo integrar esto con Hooks, sobre todo al inicio de los videos, y así sacarle el mayor provecho posible desde el primer segundo.
Les dejo adjunto:
- Resultados finales
- Screenshots del proceso
- Prompts utilizados
Me encantaría leerlos 👀👉
¿Ven esto aplicable a sus videos?👉
¿En qué tipo de contenido lo usarían ustedes?
La idea es aprender todo lo nuevo juntos y aprovechar estas herramientas lo más rápido posible.
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PROMPTS
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A cinematic air-element effect. The subject remains perfectly stable and centered, with no change in facial expression. Strong wind flows dynamically around the body, hair, and clothing, creating a floating, suspended-in-air sensation. Subtle forward motion through air, with atmospheric depth, soft motion blur on background elements only, and gentle parallax. The camera performs a smooth, controlled orbital or push-in movement. Lighting is dramatic and natural, emphasizing realism. Ultra-realistic, high detail, cinematic physics. No face distortion, no morphing, no identity change.
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A cinematic camera movement performing a smooth arc to the right around the two young adults inside an abandoned building in Panama City. The camera slowly curves rightward, maintaining both characters fully in frame while revealing more of the urban skyline through the broken windows. The man remains leaning casually against the window frame, the woman seated on the dusty floor, both wearing white t-shirts and light-colored pants. Natural daylight floods through the windows, casting soft shadows on the cracked concrete floor and graffiti-covered walls. The background city buildings shift subtly in parallax as the camera moves, enhancing depth and realism. Gritty urban atmosphere, cinematic realism, shallow depth of field, natural motion blur, handheld yet controlled camera feel, high-detail textures, realistic lighting, documentary-style urban fashion shoot.
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A young woman sitting casually against a graffiti-covered urban wall, looking directly at the camera with a warm smile, as the camera smoothly arcs to the right, capturing the vibrant street art and textured brick background in a dynamic motion.
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A young man wearing a white t-shirt and beige cargo pants leans casually against a window frame in an abandoned, graffiti-covered building. He looks directly at the camera with a closed-mouth smile, then slowly moves closer to the camera, creating an intimate and engaging atmosphere. The camera smoothly zooms in and shifts focus to capture the subtle expression change on his face, emphasizing the connection between the subject and the viewer. The background shows a blurred cityscape and lush greenery outside the broken windows, adding depth and contrast to the scene. The lighting is natural and soft, highlighting the textures of the worn walls and the man's relaxed posture.
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A smooth, cinematic orbital camera shot moving very slowly to the left around two young adults standing on a grassy field in front of the Puente de las Américas in Panama. The camera movement is minimal and controlled, creating a gentle orbital motion with very subtle parallax, where the bridge in the background appears almost stationary.
The man and woman remain still and confident, wearing white t-shirts, light-colored pants, and white sneakers, looking calmly toward the camera. The Puente de las Américas stays visually stable in the background, with only a slight, natural shift in perspective, preserving its iconic shape and structure.
Soft natural daylight, balanced lighting, minimal background motion, clean horizon lines. Ultra-smooth stabilized camera, almost imperceptible movement, cinematic realism, shallow depth of field with very mild background blur, professional fashion documentary style, high-detail textures, natural colors.
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A young man and woman look directly at the camera while standing and sitting on a worn, graffiti-covered concrete staircase inside an abandoned, dilapidated building with large windows casting dramatic light and shadows. The man stands confidently with one foot on a step, dressed in a white t-shirt and beige cargo pants, while the woman sits casually on the stairs wearing a white t-shirt and ripped light blue jeans. The camera performs an orbital shot moving to the left, circling around them to capture the gritty urban atmosphere and their relaxed, engaging poses.
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Analyze the input image carefully before generating the video.
Identify:
- Whether the image contains a human subject, multiple people, an object, architecture, or a landscape
- The main subject’s position, posture, orientation, and emotional tone
- Depth, foreground/background elements, lighting, and environment
Generate a 5-second ultra-realistic cinematic video with smooth, natural motion.
CAMERA BEHAVIOR (adaptive):
- If a human subject is present: prioritize a slow, smooth orbital camera move (arc motion) around the subject, preferably moving to the right unless the composition suggests otherwise.
- If the subject is static or seated: use a gentle orbital or push-in movement combined with subtle parallax.
- If no people are present: apply a slow orbital movement around the main object or a cinematic pan/push-in that enhances depth and scale.
- Camera motion must always be fluid, controlled, and physically plausible, with no abrupt acceleration or jitter.
SUBJECT BEHAVIOR (if human is present):
- Maintain natural eye contact with the camera when appropriate.
- Include minimal, realistic micro-movements (breathing, slight head tilt, subtle posture adjustment).
- Facial expressions should evolve naturally based on the mood of the image (calm, confident, thoughtful).
- Toward the final second, introduce a subtle emotional shift (soft smile, relaxed expression, confident look), never exaggerated.
BACKGROUND & DEPTH:
- Enhance depth using soft, realistic background movement only when appropriate.
- Background elements may move subtly (light parallax, environmental motion) but must never overpower the subject.
- Apply natural depth of field consistent with real cinematic lenses.
LIGHTING & STYLE:
- Preserve the original lighting and atmosphere of the image.
- Ultra-realistic, cinematic look, as if shot on a high-end cinema camera.
- No stylization that breaks realism.
- Natural motion blur only when physically justified.
CONSTRAINTS (strict):
- No strong parallax
- No facial distortion or warping
- No sudden camera moves
- No unnatural expressions
- No lighting flicker or drastic exposure changes
Overall goal:
Create a smooth, cinematic, ultra-realistic video that feels like a real camera capturing a brief moment in time, adapting intelligently to whatever elements exist in the input image.
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Two young adults (same male and female characters) inside an abandoned industrial building. Both are half-standing inside a broken window frame, arms extended upward gripping the rusty metal, torsos leaning forward. Strong facial expressions showing determination and defiance. Dust particles floating in the light, dramatic natural light cutting through the window. Dynamic, expressive body language, urban decay atmosphere.
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A young man wearing a white t-shirt and beige cargo pants leans casually against a window frame in an abandoned, graffiti-covered building. He looks directly at the camera with a closed-mouth smile, then slowly moves closer to the camera, creating an intimate and engaging atmosphere. The camera smoothly zooms in and shifts focus to capture the subtle expression change on his face, emphasizing the connection between the subject and the viewer. The background shows a blurred cityscape and lush greenery outside the broken windows, adding depth and contrast to the scene. The lighting is natural and soft, highlighting the textures of the worn walls and the man's relaxed posture.
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The same male and female characters walking confidently through a debris-filled corridor of an abandoned building in Panama City. The man strides forward with a serious, focused expression, eyes locked ahead, while the woman walks beside him turning her head toward the camera with a bold, fearless stare. Their body language is powerful and assertive. Broken windows, graffiti-covered walls, motion blur in the background, natural daylight cutting through dust. Dynamic movement, strong attitude, modern street culture, cinematic urban decay.
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Inside the abandoned house, both characters standing inside a large window opening, arms stretched wide outward as if claiming space. Chests open, confident posture, powerful eye contact with the camera. Strong contrast lighting, gritty textures, expressive stance suggesting freedom and resistance.
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Two young adults, the same male and female characters dressed in white t-shirts and light casual pants, inside a large open room of an abandoned warehouse-style building in Panama City. Thick concrete columns, exposed steel beams, debris scattered across the floor, and bold graffiti murals on the walls. The man sits on a low concrete ledge near a column, while the woman stands beside him with one foot resting on rubble. Strong side lighting from a broken window creates contrast and depth. Urban fashion photography, cinematic realism, textured decay with artistic balance.
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A young woman with braided hair wearing a white t-shirt and ripped jeans sits casually in an abandoned, graffiti-covered building with large windows revealing a city skyline in the background. She looks towards the camera with her eyes closed, her head gently tilted in a smooth arc to the right. The camera moves in a fluid, sweeping motion, following the graceful curve of her head movement, capturing the soft natural light illuminating her face and the textured urban environment around her.
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The same man and woman sitting on a high broken window ledge, legs hanging freely into the abandoned space. The woman leans forward with elbows on knees, intense gaze toward the camera. The man looks sideways with clenched jaw and tense posture. Graffiti walls, cracked concrete, cinematic shadows, strong emotional presence.
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The same young man and woman in white t-shirts and neutral pants are placed in a long, narrow corridor inside an abandoned building in Panama City. Cracked concrete floors, broken windows along one side casting soft natural light, and walls covered in faded graffiti and flaking paint. The man walks slightly ahead, hands in pockets, while the woman leans against the wall looking toward the camera. Fashion editorial mood, urban exploration vibe, realistic lighting, raw textures, modern street style within a decaying architectural environment.
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Both characters holding onto a broken window frame, standing still after movement. Arms slightly bent, fingers gripping rusted metal. Calm but powerful expressions. Soft light, dust settling, cinematic pause after action.
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The man sitting on a window ledge, suddenly turning his torso toward the camera. The woman stands below, one foot on debris, one arm lifted against the wall. Alert expressions, dynamic posture shift, strong street-style energy.
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Probando NanoBanana Pro + Kling O1 para crear contenido más rápido (y mejor)
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