I’ve been realizing that figure drawing becomes much stronger when it’s studied side-by-side with perspective. When you train both at the same time, you stop treating the figure like a flat shape on paper, and you start seeing it as an actual form moving through space.
Perspective forces you to think about:
- where the figure stands
- how their weight sits on the ground plane
- how limbs move toward or away from the viewer
- how volumes wrap around the body
And when you combine that with figure drawing, everything feels more solid, believable, and grounded. You’re not just copying anatomy—you’re placing a person inside a real environment.
That’s why I practice both simultaneously: it gives me a stronger sense of space, form, and depth every time I draw the figure.