Inktober 2025
I dedicated this Inktober to doing studies of the masters of the medium. I focused on Joseph Clement Coll, Charles Dana Gibson and Marcos Mateu-Mestre. Below is the mix of copies with some original work thrown in. Here are my takeaways:
  • Indian ink is black. Like, really black. And thick. It's like smearing soot on paper
  • On the brush vs quill debate I'm leaning towards brush. Quills are fun, but brush is much more predictable: ink flow never just stops, it doesn't tear paper, it's much easier to apply to large areas of tone, no issue picking up small amounts of ink, etc
  • The easiest way to clean a nib is to dip it in water and wipe with a paper towel,
  • If a nib gets clogged, you can unclog it by dipping it in water, but be ready for somewhat lighter lines,
  • If you using water to do lighter washes with Indian ink, clean the remainder off immediately. Indian ink can't be reactivated once it dries, and it becomes difficult to clean,
  • Doing copies is a great learning tool,
  • Doing copies is not enough. You need to try to draw something of your own and try to apply the design ideas that you learned through copying
5
7 comments
Sergey B.
5
Inktober 2025
Drawing & Painting Accelerator
skool.com/drawing-academy
Drawing realistic portraits and figures at a high level is HARD. You're going to need help. Get expert mentorship here and save years of wasted time.
Leaderboard (30-day)
Powered by