Hey legends 👋 Glad to join HEFF • creative! I’m here as a creative artist exploring new ideas and trying to improve my work every day. Can’t wait to see everyone’s art and connect with you all. Let’s grow together 🔥🎨

Remember when you were a kid and you liked to colour in? One of the first things I learnt was to colour around the outer edges first. Once the outline was done, it became much easier to stay inside the lines and fill in the rest of the picture. Painting works much the same way. Whether you're painting flowers, landscapes, portraits or buildings, you're eventually going to come across areas where you need to paint neatly along an outer edge or follow a line. It could be the edge of a flower petal, the side of a tree trunk, the outline of a face or the roof of a house. That's what this lesson is about. Learning how to load your brush correctly and control the paint so it flows smoothly along those edges without fighting you every step of the way. Choosing the Right Brush Your brush plays a huge role in this exercise. For practice, I'd suggest using either a flat brush or a filbert brush about 1 cm wide, with bristles around 1 cm long or slightly longer. You want a brush that can hold enough paint while still maintaining its shape. Brushes that are too short often don't carry enough paint, while brushes that are too soft can be difficult to control. Preparing Your Paint If you're using acrylics, lightly wet your brush first. Dip about one-third to halfway into clean water and allow the moisture to travel up through the bristles for a few seconds. Next, start working the brush into your paint. Rather than plunging straight into the centre of the paint blob, begin at the outer edge and gradually mix the moisture into the paint. You're aiming for a smooth, creamy consistency — almost like a slurry. Be careful not to make it watery or runny. If it's too thin, the paint will flow uncontrollably when applied. For oil painters, the principle is exactly the same. Instead of water, use a small amount of linseed oil or your preferred painting medium to improve the paint's flow and help it glide smoothly from the brush. Practising Your Lines On a spare sheet of paper, draw a few straight lines and curved lines.

I'm 55, I do a lot of dark pieces. I'm also color blind, so there's that.

Imagine walking into an art store today and seeing a tiny tube of blue paint worth more than your car 🚗 That was basically Ultramarine Blue during the Renaissance — roughly 500 to 700 years ago. This wasn’t just “blue paint.” This was luxury.Power.Status.The colour of the rich 👑 The pigment came from a rare stone called Lapis lazuli, mined deep in the mountains of Afghanistan and shipped across dangerous trade routes into Europe. Artists then had to crush the stone into powder and carefully refine it into pigment by hand And the craziest part? The finest Ultramarine Blue was sometimes worth MORE than gold 🥇 Yep… painters were literally brushing wealth onto canvas. That’s why wealthy patrons often demanded it in contracts: “Use genuine ultramarine.” Because they were paying a fortune for that brilliant glowing blue 🔵 You’ll notice many old Renaissance paintings show Virgin Mary wearing deep blue robes. That wasn’t random. Blue became associated with holiness and importance partly because the pigment itself was so expensive It was basically medieval luxury branding 😄 Meanwhile today… we squeeze ultramarine acrylic from a $10 tube while eating a meat pie in trackies 🥧😂 Makes you appreciate modern paint a bit more hey. I sure do! Cheers Heff...