Here's Why I'm Not Worried. Adobe just dropped a new Firefly feature called "Quick Cut." You upload raw footage, type a description of what the video should be—interview, product demo, travel vlog—and it automatically produces a rough cut. Let that sink in for a second. AI is now assembling edits from raw footage based on a text prompt. It pulls from Adobe, Google, OpenAI, and Runway models. It targets product reviewers, podcasters, marketers—anyone who needs a fast edit without hiring an editor. I can already hear the panic. "They're coming for our jobs." No. They're not. Here's why. A rough cut is not an edit. Every editor in this community knows the difference. A rough cut is assembly. It's organization. It's the starting point. The CRAFT of editing—pacing, rhythm, emotional timing, knowing what to cut and what to keep, building tension, finding the story inside the footage—that's what happens AFTER the rough cut. Quick Cut is doing the part of the job that was already the least creative. It's pulling selects and assembling them in order. That's assistant editor work at best—and even assistants bring more judgment to it than an algorithm. This is actually good news for editors. Here's why: When the rough assembly takes 5 minutes instead of 5 hours, you get to spend more time on the part that actually matters—the storytelling. The craft. The decisions. This is exactly what I mean when I say everything becomes post. AI is collapsing the mechanical parts of the pipeline so humans can focus on the creative parts. The question isn't whether AI can assemble footage. It can. The question is: who decides if the assembly is any good? That's you. That's always been you. What do you think? Are tools like this a threat or an opportunity? Drop your take below.

Hey all, I'm Lawrence (Larry) Jordan from California. I was a professional film & TV editor here in LaLa Land for 30+ years, and with luck and good timing, I became one of the first people to edit a movie digitally on a computer, maybe some of you have heard of called the Avid Media Composer. That experience got me hooked on tech, which led me to building websites around my area of expertise. In 2018, I launched a very niche site and course that's now put 2,000+ students through it across 40+ countries. The turbulence in the film industry has slowed that biz to a crawl, but about 18 months ago I started immersing myself in AI, and I've been officially obsessed ever since. I've been building all kinds of tools with AI but haven't sold anything yet. However, I'm developing a major SaaS platform for AI filmmaking that will be in beta Q1 2026. I also run a newsletter and free Skool community called AIography for anyone interested in AI filmmaking. I really dug Trevor's intro video and know I can learn a lot from him and his group. So check it out if your interested.