If you’ve been meaning to get better at photography but never quite know where to start, this is for you 📸 I’m running an Imaging Class that’s designed to help you understand your camera (or smartphone), see light better, and shoot with more confidence — without jargon or complicated theory. It’s practical, hands-on, and focused on real-world shooting you can apply immediately. Whether you’re a beginner or someone who’s been shooting for a while but feels stuck, come learn, practise, and grow together with like-minded folks. 👉 Register here: https://tms.wings.sg/web/event_details/12066 Hope to see you in class!

If you’ve ever dreamed of photographing snow-capped mountains by day and the Milky Way by night, this is your moment. Join us this March on a carefully curated photographic journey through Western Sichuan, where dramatic landscapes, Tibetan culture, and pristine night skies come together in one unforgettable experience. 🌄 By day, we explore iconic locations like Four Sisters Mountain, Red Sea Lake, and ancient Tibetan villages — chasing soft spring light, mountain reflections, and timeless scenes perfect for landscape storytelling. 🌌 By night, we slow things down. Far from city lights, you’ll have the chance to photograph the galaxy stretching across the sky, learn night-sky composition, and capture long-exposure images with snow peaks and valleys as your foreground. This is real dark-sky territory — quiet, humbling, and incredibly photogenic. ✨ Why join this tour? • Thoughtfully planned for photographers of all levels • Guidance on both landscape and astrophotography • Unique spring conditions with clear air and dramatic light • A balance of shooting, learning, and simply being present. Smartphone imaging supported. This isn’t just a trip — it’s a chance to see differently, shoot with intention, and come home with images (and memories) that truly matter. 📅 March departure is Confirmed | Limited spots available 📩 Drop us a message to find out more and secure your place Online Flip Book and Contact Details: https://online.fliphtml5.com/erqnr/kfin/#p=1

Sharing your photos isn’t just about likes or validation — it’s one of the fastest accelerators for getting actually better. Here’s why 👇 1. You get real-world feedback (not just your own bias). When you keep photos to yourself, you’re stuck with your own blind spots. Sharing invites fresh eyes that spot things you missed — composition issues, distractions, timing, or even strengths you didn’t realise you had. Sharing in a safe space like here makes it easier for you to put aside ego and actually get better. Even learners when sharing views can learn better. 2. You start shooting with intention Knowing you’ll share your work makes you slow down and think: Why this angle? Why this light? What’s the story? That mindset alone sharpens your decision-making every time you press the shutter. 3. You learn faster from mistakes When a photo doesn’t land well publicly, it’s a lesson — not a failure. You quickly see what works and what doesn’t, and that feedback loop speeds up improvement far more than shooting in isolation. 4. You build a visual memory bank By sharing consistently, you can look back at older work and clearly see progress. That awareness helps you refine your style and avoid repeating the same mistakes. 5. You gain confidence to experiment Once you get used to sharing, fear drops. You become more willing to try new compositions, lighting, or edits — and growth lives exactly there. 6. You learn from others too Sharing usually leads to conversations. You don’t just get comments on your work — you start studying how others shoot, edit, and see the world. That cross-pollination is powerful. 7. It creates accountability When you share regularly, you’re more likely to keep shooting, practicing, and improving instead of letting the camera (or phone) sit unused. Bottom line: Photography improves fastest when it’s seen, discussed, and challenged. Keeping photos private keeps growth slow. Sharing turns every image into a lesson.

Portraits can seem daunting especially when you first starting out. I will not speak about street photography, or street portrait as it can be two types - the ninja style where you do the deed without the subject knowing and the other where you chat up the subject and ask for a picture. These shots are done with instructions from the photographer and you do not need a camera to get trust from the subject. Directing subject is one of the key ingredients when shooting portraits. And to know how to direct the subject, you must have an idea on how a good portrait should look like. In this example during Sony's product launch of their new Sony Alpha 7 Mark 5 camera, Sony has set up a nice 'gym' in the middle of the mall with continuous lighting of blue and warm colours. When I start to shoot, I try to remember the gym shots I have seen online and in magazines. High contrast, low key portraits pops to mind. Next is to see what the model/subject is capable of. If he/she can follow instructions just give an example of what you want them to do and they will mirror the pose. After which I will micro adjust where the look, where they put their hands etc in relation to the key light (main light on their faces). For those with no modelling experience, you might have to adjust them yourself. Just make sure you ask for permission before you do so. After took a few shots, show the subject what you have taken so they have a better idea what you are trying to achieve and they will adjust accordingly. See if you can see which is shot with an old smartphone (Honor Magic 6 Pro).

Why pay so much for a smartphone when its photo and video functions are not as good as those of a Mirrorless or DSLR? Fact: The smartphone camera will NOT be as good as a mirrorless or DSLR with a good lens. There is no 'if' or 'but' simply because physics will not make an ultra-small sensor as sensitive as a big ass sensor inside the camera body. Fact Two/Too: The AI inside the smartphone has largely (not totally) mitigated the issues associated with small sensor + lenses simply by condensing what used to be an arduous post-editing process into a workflow that can be applied in microseconds. All distortion correction and colour management/science are tweaked for the vast majority of users. Any more and it will be in the realm of discerning professionals. Is it perfect? No, and that is why mirrorless and DSLRs will still have a place in imaging. Fact Three: The best camera is the one always with you. It really depends on what is in your pocket, too. If I have an old Nokia shooting 720p HD photo and video, I would be better off shooting with a Nikon or Canon. Then again, would that HD camera shoot something significant like the 2001 World Trade Centre attack? It would, but it won't be sharp, but at least you get the shot. Fast forward 25 years, and you have a smartphone that shoots pretty close to the quality of excellent film cameras, without the film grain. So what's stopping you from capturing decisive moments? The smartphones are too good for most that heck, even youngsters are going back to 2000s compact cameras like the Fujifilm cameras that I sold in partnership with MS Color in NUS/NTU flea market when digital cameras were starting to emerge for the consumer market, just for that old-school digital feel (aka Fujifilm Tokyo filter). To complain that Smartphones are not as good as Mirrorless is asking a Toyota Supra to become an F1 car. Each has a place, and it is up to the user to know which tools to use within a budget that one can accept. Besides, can a good photographer use any tools to shoot good photos? Would a good camera transform Tom, Dick or Mary into a pro? I think we know the answer: both tools and skills are needed in equal measure.