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Owned by Steve

DaVinci ReSolved

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Learn DaVinci Resolve without the overwhelm. Step-by-step guidance for beginners and switchers. Build confidence fast. No jargon. No stress.

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31 contributions to AI Filmmakers Career Agents
Big news: AIFD is now bringing the work to you.
Up to now, the directory has been about getting you found. Today that changes. We just launched Scout — a service where studios, agencies, and brands tell us what they're making, and we hand them a vetted shortlist of AI filmmakers matched to the job. In plain terms: real companies with real budgets are coming to AIFD to hire — and we're the ones deciding who gets put in front of them. Two things I want to be straight with you about up front: You're always first. When a brief comes in, I look at the directory before anywhere else — and members get first shot, every time. If there's ever a gap I can't fill from our community, I'll source outside it and then bring that person onto the directory — so the network only gets stronger, and being a member always puts you ahead of the line, never behind it. I don't take a cut of your work. Scout is paid for by the employers, for the curation and vetting I do. When I connect you, you deal with the client directly, you set your rate, and you keep 100% of it. I'm not a middleman skimming your fee — I'm the person getting you in the room. What this means for you This is a new pipeline of paid work flowing straight through AIFD. The honest part: I can only recommend people whose profiles show they can deliver. When a studio hands me a brief, I pull from filmmakers whose niche is clear, whose reel is strong, and whose work I can vouch for. The sharper your profile, the more likely you land on that shortlist. So depending on where you're at: - Not on the directory yet? You can't be matched to work you're invisible to. Get listed — that's step one. - On a free or half-finished profile? Complete it and level up. Pro unlocks the features that make you shortlist-ready — richer profile, more samples, the niche content that wins contracts. - Already Pro? Make sure your niche, reel, and best samples are dialed in. You're in the pool — help me put you forward with confidence. This isn't pay-to-play. It's quality-to-play. The bar is simply whether your profile proves you can do the work — and that's the same thing that gets you hired anyway.
Big news: AIFD is now bringing the work to you.
1 like • 13d
This is huge, Alex — and thank you for being so straight about the structure. The “you keep 100%” part is what makes it different from every other “we’ll connect you” pitch out there. You’re getting us in the room, not skimming the fee. That’s rare. The line that’s going to stick with me: it’s not pay-to-play, it’s quality-to-play. Because dialing in your niche, reel, and samples is the same thing that gets you hired anyway — so there’s no downside to leveling up except being more ready. And the $500/mo on the studio side says everything about what a vetted, listed filmmaker is actually worth. Going to audit my profile this weekend and make sure my niche and best samples are tight before the briefs start flowing. Appreciate you building the demand side of this, not just the directory. 🎬
0 likes • 7d
@Alex Vachon I am just now getting caught up on my order notifications. I thought I had done my audit already.
Film Language & Storytelling - Starting with the Bad Dates Scene in Raiders
I truly believe that what sets us apart as AI filmmakers is a mastery of storytelling and film language. Since many of you have expressed interest in a course on these fundamentals, I wanted to give you a 'first look' at what I can teach you. If there's enough interest in this content, I’ll move forward with developing a full course for the community. Let me know what you think!
Film Language & Storytelling -  Starting with the Bad Dates Scene in Raiders
1 like • 7d
Great scene breakdown of one of my favorite film franchises of all time!
Sunday July 10 - Breaking News - Great Jobs!
As seen on my LinkedIn feed today, vetted for you 👍 https://www.linkedin.com/posts/neo-hiring-videoeditor-share-7480928868183404546-Eprk/?utm_source=share&utm_medium=member_ios&rcm=ACoAAABL6UoB-5StahmOHzZWGDUu3lmCPQPKtYA https://www.linkedin.com/jobs/view/4398869153/ https://www.linkedin.com/jobs/view/4435765893/ https://www.linkedin.com/jobs/view/4430554962/ https://www.linkedin.com/jobs/view/4432291253/
1 like • 7d
I had already applied to these. lol. Wish me luck!
The Floodgates Are Opening
In the last two weeks: three luxury AI video offers at $10K+ each, an international consultancy role, and award-winning filmmakers joining the directory. The opportunities are real — and growing. Two quick videos: ▶️ Video 1 — The proof: where this is heading and why now matters. ▶️ Video 2 — Meet Scout: the feature that brings the work to you, plus how to make sure you're the one it finds. Watch both, then go complete your profile and get found.
The Floodgates Are Opening
1 like • 8d
Making a comment so I can find it later. Hopefully someone will comment on it. I have over 150 notifications and I can’t mark this as unread.
Workflow Game-Changers: Share Your Latest Finds!
Spot a cool video or article about promising new tech, or something that totally changes the game for workflows, speed, or costs? Drop the link or details below, and let’s talk about it!
0 likes • 16d
@Alex Vachon Gonna watch this later. I am getting caught up on messages.
1 like • 16d
@Alex Vachon I think SD2.5 is coming soon?
1-10 of 31
Steve Tapia
3
11points to level up
@steve-tapia-2439
I help beginner editors get confident in DaVinci Resolve with step-by-step lessons, templates, and repeatable workflows. Learning AI workflows.

Active 11m ago
Joined Apr 12, 2026
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