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Jazz Violin Academy

664 members • Free

Online Jam

48 members • Free

8 contributions to Jazz Violin Academy
0 likes • 7d
not playing from this link...perhaps because it's unlisted?
One transcription a week makes your jazz language speak. 🎻👂
https://youtu.be/zD4nkh9S_Rw This week I transcribed one of Tim Kliphuis’ versions of It Had to Be You completely by ear both his way of playing and phrasing the theme and his improvisation and use of lines and licks. I worked through it section by section, first at 50% speed, then 75%, and finally at the original 100% tempo, simply listening and playing along. I notice that this process is getting faster and more natural every time. The ear starts recognising faster and faster phrases, accents, note choices and jazz vocabulary more and more quickly. I can only recommend to do this, transcribe, transcribe, transcribe by ear 🌞
1 like • 8d
Nice solo. I like its basically simple lines and laid back tempo. When you transcribe by ear, do you write the music down and then read it or do you memorize it? Writing notes on a page is a real challenge for me so I almostnever do that. Unless for some reason, I need to share it with someone who is only comfortable reading music. But memorizing takes some time for me to get the confidence to play so cleanly as you do. So when I record something like this and follow it up with some improv, people usually say I sound much more confident andstrong in the improv.
REAL IMPROVISATION: IS IT POSSIBLE?
Do you think it's possible to really improvise in the moment? Look at my opinion in the video AND Tell me in the comments!👇 Penses-tu que c'est possible d'être Dans la vraie improvisation? Regarde ce que j'en pense Dans la vidéo et réponds en commentaire!👇
0 likes • 12d
Absolutely. Brent Vaarstra, the founder of Learn Jazz Standards dot com, suggests composing solos at first and calls that “ improvisation slowed down.” The goal is to get to the point where you’re composing on the fly. You could say improvisation is composing sped up. I think of it as the ability to think about what I want to hear next and execute it on my instrument just as I would if I were singing.
August 10 — a unique one-time Double Clinic with Ann & Mathilde!
For VIP members : During this special joint session, we will combine ghost notes, rhythm and violin technique through Ludovico Einaudi’s Experience. Ann and Mathilde will both be present from beginning to end, with their coaching fully coordinated throughout the session. 🕘 Join us on August 10, from 9:00 p.m. to 10:30 p.m.! 🎻 10 août — une Double Clinic unique et exceptionnelle avec Ann & Mathilde ! Pour les membres VIP : Lors de cette séance spéciale donnée ensemble, nous combinerons ghost notes, rythme et technique du violon à travers Experience de Ludovico Einaudi. Ann et Mathilde seront toutes les deux présentes du début à la fin, avec un coaching entièrement coordonné tout au long de la séance. 🕘 Bienvenue le 10 août, de 21 h à 22 h 30 !
 August 10 — a unique one-time Double Clinic with Ann & Mathilde!
0 likes • 16d
9-10:30 what time zone? though I probably can't attend as my wife is having surgery that morning
1 like • 14d
@Ann Vancoillie it might. I will if I can!
Learning a new tune
How do you go about learning a new tune on your own? Do you read first, listen first, arpeggiate first? impro first? What would be the best way?
2 likes • 14d
I'm coming here from Learn Jazz Standards (dot com). The method taught there is the acronymn LIST and I use it more or less and actually have always used some parts of it because I'm primarily an ear learner who came to jazz from folk music, not classical. LIST is Listen (many times), Internalize (until it's 'in your head'), Sing (or hum, vocalize in some way), Transfer (to your instrument). At first, listen to the whole tune and do LIS, but in the Transfer process, I find I have to get down to the level of maybe two or four bars at a time, especially if it's a complex head, like a be-bop head.
0 likes • 14d
I'll add that I often go to the score during the transfer process to "check my ear." If I'm in a hurry and learn a tune primarily from a lead sheet, then I try to memorize as soon as I can, usually a few bars at a time.
1-8 of 8
Paul Epstein
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11 points to level up
@paul-epstein-1536
nearly 50 years playing Appalachian and Celtic fiddle, then swing/jazz starting with Covid

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Joined Jul 20, 2026
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