Just dropped something fresh inside the classroom. The Kling Quick Start course now includes a brand new lesson on First and Last Frame. This walks you through exactly how to lock in the perfect start and end points for your shots so your camera moves feel intentional, controlled, and cinematic. If you’ve wanted more precision in how a scene begins and how it lands… this is the tool. It’s simple, powerful, and a huge upgrade for anyone building more complex sequences. Side note: Kling 2.6 Audio also released today. You can now generate speaking voices directly inside Kling. Early tests look very promising. Jump in, try the new lesson, and share what you create.

Onto the next one :)

An ambient dream-like short film based on what if aliens did indeed contact humans back in ancient history... The ancient Mayans said, "Oo, oo, oo, oo, pick us!" to star in it, so I did :)

Question for the group: How are you guys maintaining scene/setting consistency in your AI videos? For example, if the scene takes place in a house kitchen, how are you maintaining the consistency in the kitchen (look, lighting, design) in relation to the character's blocking? I'm currently working on a trailer for a project of mine, and achieving consistency in settings & scenes has been quite challenging and expensive (burning through a lot of my credits!). Any advice or suggestions you have would be greatly appreciated. @Ed Reyes @Cameron Pierron @Jonathan Wilson @Bernard Santora

Creating a stop motion animation story for my grand kid called Gop Gop the Troll... with Roman the Elf Created the first characters in MidJourney, then popped them in Gemini and had it give me isolated front views of each character on a void background then I popped those in Nano Banana Pro on Higgsfield for Back SIde and 3/4 VIews, created a theme song in Suno, pretty catchy LOL