I have not had the energy to write the follow up after getting pneumonia. I am really tired and exhausted and can only manage short concentration spurts. Will try again tomorrow

(Monday departure, Tuesday arrival, Wednesday morning, and a car with 7,000 miles ahead of it) Monday: The Machinery of Departure There is a specific variety of calm that descends on experienced travellers at airports. It is not relaxation. It is the disciplined suppression of everything that could still go wrong, maintained through forward momentum and the studious avoidance of checking the time too frequently. We arrived at Gatwick early on Monday, which is the only sane way to arrive at Gatwick. Online check-in had been completed in the civilised surroundings of home, which meant that our business at the Norse Air desk was the focused, practical matter of surrendering luggage rather than the extended paper-shuffling exercise it might otherwise have been. The luggage, it should be said, required a moment. There were the standard bags. And then there was the oversized case — the one that needed its own conversation with the check-in agent, its own special tag, its own separate journey into the belly of the airport. Inside it, carefully packed and padded against the rigours of hold travel, was a collection of cameras and lenses — not ours, not this time. These were destined for a photography group of African children, kids who would learn to see the world through a viewfinder the way we had learned ourselves, decades ago in different circumstances on the same continent. Also in that case: art materials for Gareth's mother, chosen with the specific knowledge of what she would actually use and enjoy. Two gifts, one unwieldy case, one slightly anxious moment on the scales. It was fine. It always is, until it isn't, and this time it was. Security was security — the universal choreography of laptops out, liquids surrendered to small bags, belts removed, dignity temporarily optional. Customs, the gate, the wait. The particular airport suspension of normal time. And then boarding — and the settling into seats with the specific exhale of people who have made it this far and can now, finally, do nothing useful except eat questionable food and watch films they'd never choose at home.

A Journey in Many Parts Before We Even Left There is a particular kind of madness that descends on a household approximately three weeks before a long-haul trip to Southern Africa. It arrives quietly, disguised as organisation. First a note on the back of an envelope. Then a sensible list. Then several competing lists. Then a full-scale domestic archaeology project in which every cupboard, camera bag, coat pocket and kitchen drawer in the house is upended and examined with the forensic intensity of people who are absolutely, definitely, completely in control of the situation. We were not in control of the situation. But we were going to South Africa. And that, as it turned out, was more than enough. Two Photographers, One Destination, Fifty Years of Reasons It is worth, before the bags are even opened, introducing the two people making this journey — because understanding who we are explains rather a lot about how we travel. Gareth was born in Durban. He grew up in Amanzimtoti, moved to Port Elizabeth where he spent his boyhood outdoors — a Boy Scout in the proper, muddy, self-sufficient tradition — and then to Cape Town for schooling, by which point a camera had already found its way permanently into his hands. Photography began in 1974 and has not meaningfully stopped since. In 1977 and 1978 he served in the army, which sounds like an interruption to the story but was actually where, through a friend named Roger Ellis, an already keen interest in birds became something closer to a lifelong calling. After the army came a stint as a volunteer game ranger, spending spare weekends at the Karoo National Park — unpaid, entirely by choice, which tells you something important about the man. A career eventually intervened, carrying him to Johannesburg, but the outdoors was never entirely relinquished: birding, camping and travel filled every long weekend and holiday, accumulating into a knowledge of Southern Africa that is genuinely encyclopaedic. In 1995, life pivoted, and Gareth moved to the United Kingdom — Milton Keynes first, Eastbourne eventually — where British birding became a new and absorbing chapter without ever replacing the original.

Standing on the shores of Bloubergstrand, looking across Table Bay toward the unmistakable silhouette of Table Mountain, you can feel Cape Town breathing. The light, the wind, the salt in the air — it all folds together into a kind of quiet magic. This watercolour captures that atmosphere perfectly: the softness, the scale, the sense that this city is always more than one thing at once. For many, Cape Town is simply home. For others, it’s a playground of wind and waves. A birder’s paradise. A botanist’s living laboratory. A hiker’s utopia. A tourists curiosity. A rock climber’s cathedral of sandstone and sky. It’s a place that invites you in, hands you a new passion, and dares you not to fall in love.

This photo is of Beachy Head, right on our doorstep in East Sussex. We love our home in Eastbourne, however, even as we landed at Gatwick we have begun planning our next trip to South Africa. Several people have asked us to take them on a camping trip so they too can experience the wildlife, birds and beauty of South Africa. I grew up in South Africa and spent most of my childhood and early adult life outdoors and have a deep knowledge of the birds and wildlife. In the meantime I will share the places, the wildlife, the birds and experiences we enjoyed over the last 6 weeks. Please invite your friends to join this group!