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Comedy Mechanics

83 members • Free

9 contributions to Comedy Mechanics
Your entrance is vitally important.
People will often say that for a job interview, the first 5 seconds are the most important. I could not agree more, especially when it comes to comedy. How you enter the stage, and the first couple of things you do, BEFORE YOU SPEAK tell stories to the audience about who you are, what they should expect, and whether or not they are going to enjoy the next 5-7 minutes. I was recently at an open mic where I was asked to give feedback to the mostly beginning comedians after each 3 minute bit. Of the seven comedians, 5 rushed their opening moment, 2 of them didnt look at the audience, and 3 of them started with their hands in their pockets. One took her time with the opening (she was listening to the feedback I gave the other comics) and but then waited a little too long before starting, and let the moment pass. Most people should start with energy and positivity. Being friendly, relaxed, ready to engage. Hands out of pockets, open, engaged.Eyes alert. Look at the audience. I am not saying that EVERY comedian has to start here Some people can start at a negative energy and pull it off. Gilbert Gottfried, Sam Kinison, Lewis Black, Steven Wright come to mind as guys who dont start with a positive energy. And there are other people that have distinctive or even negative habits that they start with, and they manage to make it work for them. Two things about this: • When they enter they are very directed and channeling energy that makes people watch and pay attention. It's part of their charisma. (There's a funny bit in this video https://www.instagram.com/reels/DRFUFS1kTnQ/ where Liam Niessen is trying to improvise comedy with Ricky Gervais, and he keeps on bringing up things like famine and Aids. The director Stephen Merchant says maybe avoid those subjects. Niesen says "How can Ricky Gervais do it, and get away with it." To which the director "No one knows." Some people can get away with it. But guess what, you, the beginning comedian, are probably not the exception).
1 like • Jun 23
I was just listening to a blog which said, the part when you’re entering and the audience has an unfiltered experience because the “show” hasn’t started yet… they lower their guard and are free to have fun and not be a “good audience member”. How can we extend this feeling as long as possible? The bit when we are all just having a good time together?
1 like • Jun 23
@Adam Gertsacov I’ve heard the same from a stand up, he greets everyone and takes them to their seats, then they are surprised when he jumps up onstage to start. Fosters goodwill from the beginning.
Live Clownversation Happening... in 3 hours!
I am appearing on a live "clownversation" with Barnaby King, founder of the Clownvergence and Clown-Spirit Village. It might be more accurate to say that he will be having a clownversation with me, as it is his platform. Nevertheless, I will be there, and as you know, clowns are agents of chaos, so who knows what is actually going to happen. The only way we will know is by showing up! It's Live, so if you want to show up and ask questions in the chat, feel free! If not, it will still be available after the fact! Hope to see you there!
Live Clownversation Happening... in 3 hours!
0 likes • May 9
Ah the time difference! Do you have to be a member to see the recording or do you have a link please? Hope it was fun!
What's your Creative Practice?
Was listening to a podcast today and it said something about when you get stuck, you need to return to your creative practice, and it made me think it would be a good topic to start here. I try to do my creative work in two phases-- in the morning just after I have woken up and I am still in the dreamy phase (and I often find that I have great ideas in the shower, so I try to write them down and noodle them. I try to do my business stuff in the afternoon (when it's morning in the states) I also have an afternoon energy burst around 4-6 pm, and I try to get some writing or rehearsing in then. If it's a performance day, that sometimes gets cut into if I have to drive/get ready. And sometimes I don't have that burst, so it doesn't happen. On the weekends, I typically spend Sunday mornings at a cafe writing. So what's your practice? How do you get better at what you do?
2 likes • Mar 2
I write notes after performances what worked, what new ideas sparked. I try to play the character in day to day scenarios when I’m alone doing chores etc. or voice record phases or how they might sound. As for writing, I try to jot notes as soon as I think of them on my phone or my journal and usually these are dreamed, so as soon as I wake up!
How Many Lightbulbs Does It Take To Change A Clown?
Over on LinkedIn @Andrew Cory asked this question, and I thought it would warrant answering here. What’s your punchline answer?
How Many Lightbulbs Does It Take To Change A Clown?
4 likes • Mar 2
2 one to change the lightbulb and one to trip over the ladder he used
Feb 8 • 
Wins
Starting new things
Hi all 👋🏼 Just wanted to say, if there’s something you want to see that doesn’t exist…. Build it!!! Maybe somebody else was missing it too. All it takes is a bit of admin and open arms. I’m starting a new improv group and we are just going to meet at my place until we get enough consistency to hire a rehearsal space. Wish me luck!
2 likes • Feb 11
So I had 8 people turn up! And 4 wanted to come too but I didn’t have room in my lounge room. So we are gonna hire a spot! Yippee
2 likes • Feb 11
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Lou Smith
3
45 points to level up
@lou-smith-1745
Professional Fake Comedian - Clowning always, Australia

Active 30d ago
Joined Jan 21, 2026
Gold Coast Australia