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Mastering.com Members Club

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11 contributions to Mastering.com Members Club
Voice inside my head
I listened to a lot of songs last night. I have a treated room. One song was different to others: School by Supertramp. When to vocals kick in, well, we are not talking about panning, it was literally inside my head; all other instruments where 2D but the vocal was inside my head. What was happening there?
2 likes • 2d
Just listened to it in headphones and the main vocal is close up and slightly left with the backing slightly left of it and everything else either hard L or R and a void in the centre right. An eye opener when you listen to it critically.
0 likes • 2d
@Marcello Lioy Is this similar to live mixing where Pink noise is injected into the channel to allow you to level everything before starting, or is it something different.
1 like • 2d
@Lee Tagg I use a slightly different approach by switching between different speakers periodically as a check that things are working correctly, this includes a set of limited frequency response speakers I made up decades ago, if it sounds good with them then things are usually good.
AI Plugins, anyone got any thoughts on this.
I just got an email through from SSL about their new AI based dynamic plugins, link to the EQ here autoEQ and was wondering if anyone had either any experience of these or any thoughts on the use of AI in the mixing process, I am guessing that the plugin learns how you do things and then gives suggestions on how to improve what you currently have, I have had a lot to do with inference based learning in the past and not found the models created to be that effective so I am not sure if this will be any better, anyhow I will install the evaluation's and give them a go.
0 likes • 2d
Here's another example of supposedly AI used for music generation Cognitone Music Prototyping I have not had chance to go into it in any great detail but it looks again like a smart application rather than AI as it seems heavily reliant on user input to achieve the end result.
0 likes • 2d
@J Es Interesting take, it makes me wonder if AI is used where does the copyright actually lie?
Plugin links
Post links in this thread about any plugin recommendations, free plugins or plugin discounts.
0 likes • 4d
Came across this on Plugin Boutique Free VST Plugins You Should Actually Get | Plugin Boutique giving a list of free plugin's some of which look quite interesting
0 likes • 3d
UAD have got a free plugin for their UA160 Tube Pre and EQ at the moment, this is the link to it UA 610 Tube Preamp & EQ Collection – Universal Audio
My beginner experience finding Mixing Heaphones so far
This club has a nice mix of beginners like me and more experienced people so I think others might benefit from a discussion about my headphone quest. Tell me if you can relate: Context: My current headphones are Beyerdynamic dt 770 pro 80 ohm (not the 250 ohms version, I wasn't too confident my Scarlett 2i2 3rd Gen could drive them), I bought them as an all purpose kind of headphone to start off with: - For tracking (It bleeds the click track a little bit though, so I got cheap in ear monitors for whenever the playback quality isn't very important and only the tempo marking is). - For learning the basics of music production and mixing with the intention of publishing well represented songs (not suuper professional but well balanced music that translates into multiple audio systems). So far I used these closed back headphones for the entire production stage with no Eq correction (they are good enough for recording, tracking and ball parking sound design) and only later - when switching to more of a "mixing" mindset - I place an Eq with a correction curve in the master track I got from github (I am always careful not to render the song with the Correction Eq Curve on): https://github.com/jaakkopasanen/AutoEq/blob/master/results/crinacle/GRAS%2043AG-7%20over-ear/Beyerdynamic%20DT%20770%20Pro%20(80%20Ohm)/README.md (I don't actually use correction software like sonarworks or dsoniq Realphones, I cut costs were I can). The problem is! I have the chronic beginner limitation issue, little frame of reference... I can't really know if these Headphones are serving me well for critical listening or not... I haven't mixed on other headphones yet. Now I am thinking that maybe a pair of open backs might be a significant improvement and might help me even in the learning process, making certain details more apparent, the transient information more obvious which makes compression easier to learn, frequency separation more detailed to help with identifying problematic regions, resonances, with identifying harmonic saturation changes, to perceive stereo image better, etc....
2 likes • 11d
I know this is probably not the way most people approach it but I take the actual sound heard in the room during tracking (not what is recorded as in most cases this will be different) and try to use that as my reference when trying out different monitors or headphone, that way you are at least using the response of your ears (which is different for everyone), the key thing is to try different options wherever possible and accept that in most cases it has to be a bit of a compromise until you find what works for you, as different combinations of source (interface/amp/DAC), headphone and impendence will all affect the final result, I think it was illustrated earlier by Andrew Scheps using Sony headphones which he is used too and allows for their limitations in his work, personally I find using several different monitors easier and only using headphones when I have to in which case it is usually Beyer DT's.
1-10 of 11
John Rose
3
44points to level up
@john-rose-5562
Cut my teeth on live sound and assisted in a demo studio, but more recently have moved more over to studio based engineering

Active 7h ago
Joined Dec 11, 2025
Sheffield UK
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