Love the idea of the Pats starting yet another much-hated dynasty. But also love me some Sam Darnold come back story. So I'll be good however this game goes. Predictions: Pats. Crucial mistake cost Darnold in the 4th Quarter. Situational football rules the day. But... this takes me back to The Goat, TB12. And the horrible start vs Atlanta, years ago. They fell behind 28-3, before storming back and winning in overtime. And maybe nothing looked worse than when Brady threw a pick 6 when they were down 14, to let the score go to 21-0. But he gathered himself and his team. "Come on now, laser focus! We gotta play harder! Tougher!" And led the greatest comeback in sports history. I've often felt this way when battling a script. Trying to figure out the way forward. Feeling lost, but knowing it's not in my DNA to give up and being determined to fight my way through. I genuinely look to Brady as a model for that. Selected 199th in the draft. 4th quarterback on the roster, behind the first QB ever to sign a $100M contract. But showing up everyday in practice and staying late, with the mentality that this would be his team one day and his work ethic would make that inevitable. I'm curious, who's your model for the way you work, for how you move forward when things get tough? Oh, and what's your pick? I'm going 27-24 Pats. Vrabel's got this team dialed in. I could be wrong, but even if I am, with the mentality Brady set down for that organization, even a loss will be a learning experience on their way back to greatness IMHO. Then again, I'm the same guy who was at a huge Super Bowl party years ago and everybody was making fun of me when the Pats were down 28-3. And I said, we've got them right where we want them. Then I might have turned around and flipped them all a double bird when the Pats won. I'm not saying I did. But I'm not saying I didn't either. Go Pats!

I thought of a silly video game movie. Tonight I finished two small scene's from the first two days of shooting. 9 tracks. I just have to get with my screenwriter and hire my voice and avatar actors now. 2, 2 hourhttps://www.youtube.com/watch?v=mVu0_Ve9MEo shooting days. 1 week of editing. 3 minutes of movie. I should be in post within 5 months!

Here's something that's been on my mind: I recently saw MARTY SUPREME, and whether you like him or not, Timothee Chalamet is an extraordinary actor. If you haven't seen it, it's directed by Josh Safdi who directed UNCUT GEMS. I also recently watched an episode of SOMEBODY FEED PHIL where a friend of his tells a story of how he was once on set watching a taping of EVERYBODY LOVES RAYMOND and how they did a scene, then right after, Phil (Rosenthal, creator & director of ELR) went individually to each actor and gave them his notes. They went again and the scene was so much better. So my question is, who's more important: actor or director?

Huge turnout today! This was our biggest yet. Every one of these is a learning experience for me. Especially seeing how the pages play out now that we're doing table reads and seeing how other writers respond. Curious what came out of today for you guys. @Temycka Carpenter Carlton @Jason Byrley @Jason Smith @Chad Desrochers @Anna Fermin @Pia Crawford @Shauna G @Iii Party @Krystel Biasotti @Chris Dyer @Ian Campbell @Lena Lieuvin @Piter Marek @David Hinnebusch @Godfrey Virgile We couldn't get to everyone and will get you in future sessions. Meanwhile, I need to create a sign up sheet of sorts here, so we can schedule more than one session out. But this platform doesn't allow me to do that, so any suggestions on how to do so would be appreciated!

I've now read 3 other Forge members' scripts that i believe are really good at just getting to the point in their Action. I know there's more of you out here. My ask? How would you economize the following Action segment? -------------------------- She turns and sprints back towards the office. Jacob continues walking, his drink in hand, almost smiling as he walks past the now empty therapy rooms. At the elevator, he looks down an adjoining darkened hallway. The entrance is blocked by a cable attached to two stanchions. Jacob looks around then stealthily slips over the cable into the hallway. He’s the only person on the floor. It’s dark other than light coming from a frosted window on a door near the end. He slowly moves towards it. As he gets closer, the sound of faint voices is heard. Screaming voices.