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Mastering.com Members Club

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14 contributions to Mastering.com Members Club
Biggest question?
Hey guys, I'm going to film some content in the next couple of weeks based on the comments to this thread... What's your biggest question right now? I'll film a short video and answer with demos inside the DAW. May not be able to get to all questions. Thanks!
Biggest question?
2 likes • Jul 2
What about the Instrumental and Vocal Metering Buses trick? So far, I was turning the volume down until only hearing the snare and vocal to check your vocal levels, but this one with Buses and Metering is new for me, and it works
3 likes • Jul 2
@Bob Friedman yes Translation is a big one!
How to Be a Good Filmmaker Reference Analysis
With this, we were asked to do 3 reference analyses and share what we've learned. Well, what I've learned is that it's way harder than I thought, so I kept procrastinating on this one. Maybe because I never was sure about what each part of a song means (shame on me), and the Song Structure Glossary was really handy for this In the end, I did two analyses and got a bit more comfortable with it, and for the first time, I used Markers I share these two here. If you have the time, take a listen to these two songs and let me know what you think Second Chance - 38 Special - Intro: - GTR arp - Snare Rim - Verse 1: - Lead Vocal - LNG Reverb and Slap Delay - GTR Arp continues - GTR Rocker counter - Snare Rim continues - Chorus 1: - Lead Vocal - More Energy - Verse 2: - Lead Vocal up energy - LNG Reverb and Slap Delay - GTR Arp continues - GTR Rocker counter - Snare Rim continues - Chorus 2: - Repeat - Up - Bridge - - Energy - Bridge/Chorus 2A: - Lead - Instrumental builds tension - Chorus 2 B: - Lead Scream - GTR up - Drop 1st - Lead plain and alone - No drums - Lead GTR Alone - Drop 2nd - Lead plain and alone - Drums Back - Lead GTR Alone - Strings Riser - Chorus 3 + Harmonies - Full instrumental - Harmony High 3 - Harmony Low 3 - Lead + counter - Chorus 4 + Harmonies - Full Modulation Up - Harmony High 3 - Harmony Low 3 - Lead + counter - Outro - Full Fade out - Harmony High 3 - Harmony Low 3 - Lead + counter + ad-libs Dream On - Nazareth - Chorus/Intro 1st: - Lead vx 4 bars a ccapella - Large Reverb, chamber-like - Chorus/Intro 2st: - Lead vx 4 bars a ccapella - Large Reverb, chamber like - ADD arpeggiated keys and guitar - FILL - BIG toms fill with echo - Verse 1: - ADD Full Band - Cymbals Raiser - Chorus 1: - Lead Vocal - More Energy - Break - Instrumental - Bridge: - Lead Vocal up energy - Breakdown - Lead Guitar - Verse 2: - Repeat Verse 1 - Lead Vx Up Energy - Chorus 2: - Lead FULL energy - Keys more presence - Chorus/Outro - Instrumental stops with echo and fade - Lead Vx a ccapella
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How to Be a Good Filmmaker Reference Analysis
1 like • Jun 22
Ty No Sampler, just drag and drop all samples into Ableton Live and choose the ones I like
How to Be a Good Filmmaker practice
I've learned that Critical Listening is a great way to go deep into any track, reference, or your own ones to discover details and areas of improvement, and build up this guide to help you review and improve your projects
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Sound Design Project
I did some experimentation with my last project, adding some Timeless 3 automation for Throw Delay and also playing with Soundtoys' SpaceBlender on some keyboard chords in the Bridge This time I worked on Ableton Live since it was mainly samples, loops, and midi clips, and I feel more comfortable in this DAW for this kind of project Let me know what you think, and I'm also curious to know how much Sound Design you usually put into your projects.
0 likes • Jun 22
Thanks for the comments and suggestions, I'll hear it back with fresh ears, but I was after some counterpoints on purpose (good excuse LOL)T
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Gus Clerici
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39 points to level up
@gus-clerici-2212
Decades of enjoying music and doing some as well

Active 32d ago
Joined Dec 18, 2025
Los Angeles, CA
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