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AIography: The Pro AI Film Lab

828 members • Free

2 contributions to AIography: The Pro AI Film Lab
Adobe Just Built an AI That Does Your First Cut
Here's Why I'm Not Worried. Adobe just dropped a new Firefly feature called "Quick Cut." You upload raw footage, type a description of what the video should be—interview, product demo, travel vlog—and it automatically produces a rough cut. Let that sink in for a second. AI is now assembling edits from raw footage based on a text prompt. It pulls from Adobe, Google, OpenAI, and Runway models. It targets product reviewers, podcasters, marketers—anyone who needs a fast edit without hiring an editor. I can already hear the panic. "They're coming for our jobs." No. They're not. Here's why. A rough cut is not an edit. Every editor in this community knows the difference. A rough cut is assembly. It's organization. It's the starting point. The CRAFT of editing—pacing, rhythm, emotional timing, knowing what to cut and what to keep, building tension, finding the story inside the footage—that's what happens AFTER the rough cut. Quick Cut is doing the part of the job that was already the least creative. It's pulling selects and assembling them in order. That's assistant editor work at best—and even assistants bring more judgment to it than an algorithm. This is actually good news for editors. Here's why: When the rough assembly takes 5 minutes instead of 5 hours, you get to spend more time on the part that actually matters—the storytelling. The craft. The decisions. This is exactly what I mean when I say everything becomes post. AI is collapsing the mechanical parts of the pipeline so humans can focus on the creative parts. The question isn't whether AI can assemble footage. It can. The question is: who decides if the assembly is any good? That's you. That's always been you. What do you think? Are tools like this a threat or an opportunity? Drop your take below.
1 like • 8d
I agree that Quick Cut isn’t "the edit", but it will reset client expectations for speed and price. The upside is AI drafts plus editorial judgment can be a powerful workflow. The bet, in my humble opinion, isn't editor vs AI but outcome ownership (an editorial producer mindset). Whoever carries the weight of the final responsibility, shapes the narrative and delivers results, not just timelines, keeps working. My question is do we have to shift to a hybrid of editor/producer to stay competitive?
Welcome to AIography 👋 Read This First 🚨
Before you jump in, there’s one important thing to understand about this community. AIography exists to explore how AI is reshaping filmmaking, storytelling, and creative workflows from script to screen. This is a place for learning, sharing experiments, asking smart questions, and helping each other navigate a rapidly changing creative landscape. To help keep the signal high and reduce spam, posting is unlocked once you reach Level 2. You’ll get there quickly by engaging in discussions, reacting to posts, and participating thoughtfully. What this community is NOT: - A place to pitch “make money” schemes - A place to drop affiliate links, funnels, or cold offers - A place to self-promote unrelated products or services If your first instinct after joining is to sell something, this is not the right room for you. What is encouraged: - Thoughtful discussion around AI tools and workflows - Sharing work in context (what you tried, what worked, what didn’t) - Helping others learn and think more clearly about AI and creativity - Genuine collaboration and curiosity Promotion may be allowed later and in the right context, but it is never the starting point here. Posts or comments that ignore this will be removed. Repeated behavior will result in removal from the community — no drama, no warnings loop. We’re here to build understanding and craft, not noise. If that sounds like your mindset, you’re in exactly the right place. If not, it’s better to know that now. — Larry
1 like • 9d
Happy this community found its way to me!
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George Alexiou
1
3points to level up
@george-alexiou-7990
Indie film editor • Director-in-progress • Exploring AI for storytelling & post

Active 7h ago
Joined Feb 25, 2026
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