Prompts: 1 ) High-angle editorial street-style photograph captured from a balcony or upper-floor perspective, looking down at a stylish young man standing on sunlit asphalt. The composition places the subject slightly left of center with his full body visible, surrounded by ample negative space. On the right edge of the frame, the front corner of a glossy black, boxy luxury SUV enters the shot, partially cropped, showing a round headlight and horizontal chrome grille. The ground features textured grey asphalt with faint tire scuffs and light dust, a diagonal strip of small cobblestones near the top of the frame, and soft, organic shadows from tree branches stretching across the road. A young adult man with light brown hairs. Strictly preserve from the attached first photo, without distortions. He wears a relaxed yet confident expression as he looks up toward the camera. He wears a brown baseball cap with white embroidered monogram lettering, chunky black rectangular sunglasses, and an oversized black leather jacket with visible tan contrast stitching and wide lapels. Underneath, he has a white open-collar shirt, slightly unbuttoned, layered with a beige knit V-neck buttoned vest featuring four buttons. He wears very wide grey pleated trousers and clean white shoes with a subtle dark toe detail. His left hand holds a small white takeaway coffee cup with a lid and beige sleeve. His right hand is raised, casually touching the side of his cap or sunglasses. Warm late-afternoon sunlight enters from the upper left, creating crisp highlights on the leather jacket and the SUV's glossy paint, with natural shadows and gentle light falloff. The overall color grading is cinematic, featuring warm browns and neutral greys, slightly desaturated tones, subtle film grain, sharp subject focus with mild background softness, and highly realistic textures. ratio 3:4 2 ) Realistic cinematic portrait in the style of Wong Kar-wai using a reference photo. Emphasize the jawline and neck to create a sculptural impression, without altering the shape, identity, or character of the face in any way.

Image Prompts: 1 ) Main shot- Ultra-realistic cinematic rooftop portrait using the attached reference image for exact facial likeness (100% facial match required). A South Asian with short textured fade haircut, neatly trimmed full beard and mustache, strong jawline, medium brown skin tone, and natural thick eyebrows. His facial proportions, beard density, hairline shape, eye shape, nose structure, and lips must exactly match the reference image. No alterations. He is wearing a black and dark red Spider-inspired superhero suit with a subtle web texture pattern across the chest and shoulders, matte fabric finish with slight wear details and small battle marks. A bold red spider emblem is centered on the chest. The suit fits tightly and naturally around the shoulders and neck. Pose exactly as reference: He is standing on a rooftop, body angled slightly to the side, head gently tilted downward, eyes looking down toward the city with a calm, introspective, slightly emotional expression. Shoulders relaxed. No smile — soft, thoughtful expression. Background: Urban rooftop setting with blurred city skyline in the distance. Visible elements include industrial rooftop structures, a cylindrical water tank, metal beams, air conditioning units, and soft foggy city buildings in the background. Shallow depth of field with cinematic bokeh blur. Lighting: Soft overcast daylight, diffused natural lighting. Cool neutral tones. Subtle rim light outlining head and shoulders. Realistic skin texture and natural shadow falloff. Camera & Composition: Medium close-up framing (chest up), 35mm lens, shallow depth of field, cinematic composition. Slightly off-center framing. Moody urban tone. Color grading: Cool bluish urban palette, muted highlights, realistic skin tones, cinematic contrast. Ultra-detailed, photorealistic, 8K texture fidelity, natural skin pores, realistic fabric texture, high dynamic range, professional film still quality. 2 ) Intial Images- Ultra-realistic cinematic scene of Spider-Man sitting on the edge of a rooftop ledge, seen from behind in a relaxed seated pose with one arm resting on his knee, looking toward a New York skyline with multiple rooftop water towers and skyscrapers in the distance, soft evening sunset sky with warm city lights starting to appear, camera angle: rear medium-wide shot from rooftop level, lens: 35mm cinematic lens, composition: Spider-Man positioned on the left side of frame facing the skyline, depth of field slightly shallow with city softly blurred, golden hour lighting, ultra-detailed photorealistic superhero movie still, 16:9 cinematic frame.

Image Prompt: Remove the stadium in the center of the image and leave the plot completely empty. Keep the same camera angle, perspective, lighting, and overall look of the original photo. The result should look like a realistic empty land area where the building used to be. Video Prompt: Use frame 1 as the starting point and frame 2 as the absolute end reference. The action: A colossal, giant human hand slowly enters the frame from the top of the sky, holding the fully built stadium shown in frame 2 like a massive object. The hand carefully lowers the stadium into the empty circular construction site visible in frame 1. As the stadium approaches the ground, the surrounding area subtly reacts with dust movement and slight environmental motion. The hand precisely places the stadium into the exact position, perfectly aligning it with the circular foundation. Once placed, the hand releases the stadium and slowly exits the frame upward. The final frame must match frame 2 exactly with the completed MetLife Stadium fully integrated into the environment. Camera: locked aerial drone perspective, no camera movement. Style: ultra-realistic cinematic transition, smooth motion, natural lighting continuity, realistic scale and physics, high detail, seamless transformation.

Image Prompt: Ultra-cinematic apocalyptic scene of a Caucasian man in his early 30s with short light-brown hair styled upward, light blue eyes, and a short trimmed beard, wearing a white shirt with blue floral patterns. He sits calmly in a folding beach chair on a quiet shoreline, viewed from behind and slightly to the side, watching a massive nuclear mushroom cloud exploding far out in the ocean. The explosion forms a towering fiery mushroom cloud rising into glowing orange and red storm clouds. The sky burns with dramatic light from the blast while thick smoke expands upward. The ocean reflects the fire and shockwave glow across the water. The man sits relaxed, legs slightly stretched forward, quietly observing the distant explosion as waves roll toward the shore. His silhouette is softly illuminated by the orange light from the blast. Composition: cinematic wide shot character in foreground explosion dominating the horizon camera positioned behind and slightly to the side of the man dramatic perspective and scale Lighting: golden hour mixed with apocalyptic firelight volumetric smoke and clouds glowing reflections on the ocean surface high contrast cinematic lighting Style: photorealistic, ultra-detailed, cinematic film still, IMAX scale, HDR, volumetric lighting, realistic fire simulation, atmospheric haze, 8k resolution. Camera: 85mm lens, f/2.8, shallow depth of field, cinematic framing Aspect Ratio. Video Prompt: Wide cinematic shot from behind a relaxed man sitting in a wooden beach chair on a quiet sandy shoreline at sunset. He wears a short-sleeve tropical shirt and looks out over the calm ocean. Gentle waves roll onto the beach. The sky glows orange and gold with dramatic clouds. The camera slowly performs a subtle dolly-in toward the man. Ambient sound: soft ocean waves, distant wind. In the far distance above the ocean horizon, an enormous nuclear explosion suddenly erupts, forming a massive mushroom cloud. A blinding flash of light expands outward, illuminating the clouds and reflecting across the ocean surface. Debris and smoke rapidly rise into the sky.

Image prompt: Use the uploaded image of the character as an exact referwence. Preserve the original proportions, materials, colors, textures, and facial features. Do not alter the design and do not stylize the character. A first-person point-of-view shot inside an abandoned space [LOCATION TYPE: television studio / advertising set / real filming location]. The viewer is holding a flashlight, creating a single circular beam of light while the rest of the space is engulfed in darkness. In the flashlight beam, it is visible that the character is positioned as if it was left behind after filming: [POSITION: lying on the floor / curled up in a corner / leaning against a table / slumped against a wall]. The character must appear completely lifeless and inactive: no action, no intentional pose, no sense of presence. If it is a doll or a costume, there must be no visible hands, rods, strings, or person inside. The character appears old, dirty, and abandoned: worn fabric, accumulated dust, stains, discoloration, flattened or damaged areas. The environment is clearly abandoned: dusty surfaces, old filming equipment, cables scattered on the floor, faded signs or set decorations. Dust particles float within the flashlight beam; the space feels silent and untouched for years. Photorealistic flashlight-based lighting, harsh shadows, rough textures, documentary realism, on-location shooting aesthetics, no stylization Aspect Ratio 9:16 "Use the image one to generate multiple scenes" Video Prompt: The camera represents a real human point of view walking slowly inside the same location. Movement is grounded and realistic: subtle vertical bob from footsteps, gentle side-to-side sway, imperfect handheld motion. The viewer is holding a flashlight; the beam reacts naturally to walking and turning with delayed movement, small overcorrections, uneven scanning. The character remains completely still and lifeless: no animation, no blinking, no breathing, no movement. Only environmental motion: floating dust, minimal light flicker, very subtle movement of loose elements. The environment stays consistent the whole shot: no set changes, no teleporting, no new objects. Photorealistic video, found-footage realism, handheld walking camera, low light, strong shadows, gritty textures, natural imperfections