@Terry Wellman I actually started with an even cheaper setup than the one I have now. I treated the room gradually by ear, using absorption and diffusion, then later added measurement and correction tools to verify what I was hearing. That process taught me that I was slightly insensitive to low-end boost. After correcting the room and training my ears for a few months, I realized my previous monitors had a boosted low end that was masking bass detail. That led me to upgrade my speakers. Later, I felt the midrange and high-end clarity still wasn’t quite where I wanted it. After studying different setups, I added a 12-inch subwoofer. It was a big change: instead of exaggerated bass, I learned what natural, effortless low end feels like—and the mids and highs from the main speakers became noticeably cleaner too. These days, I regularly attend listening events for flagship studio monitors in Korea. I listen carefully to understand and memorize the reference standards that professional engineers work from. It helps me keep a clear target in mind. For my current budget, I feel my home studio is now performing at its best, so I’m focusing on ear training, learning, and making music every day. The next level of setup would cost roughly ten times what I’ve invested so far, so my long-term goal is to build more music-related income, save steadily, and eventually create a higher-end studio. Since completing this setup and spending the past few months on focused listening practice, my ears have improved a lot. I’m part of several songwriting and production communities with hundreds or thousands of members, where people often share their music and ask for feedback. I listen from my home studio, offer small pieces of feedback where I can, and slowly build meaningful connections with other songwriters and producers.