Hey guys! Episode 3 of PALOMA is live and this is where it stopped feeling like an experiment. We thought we knew where this episode was going. We didn’t. We rewrote scenes while building them. Adjusted tension mid production. Changed beats because the characters demanded it. Just like any film set, except the “set” was evolving and the AI tools were moving faster than we could fully control. We hit real limits. Performance nuance. Physical chaos. Emotional pacing. Every time something didn’t work, we had to ask: is it the tool or is it the writing? AI didn’t make this easier. It made our decisions more visible. Episode 3 escalates the story in a way the first two couldn’t. The hunt becomes direct. The danger becomes personal. And Paloma becomes something neither side fully understands. Enjoy, here is the link to the full episode on youtube: https://youtu.be/LOHWUugQCFs?si=XMkynaAwcOhzi_-b 0:21

I'm Artur, from Latvia and this is why I'm here: • Looking for a community of likeminded people, who love movies, cinematography • Tired of stigma around AI content, want to prove that AI could be dope • Love the old stuff from the 70s, 80s, 90s • Bored of "Netflix lighting" • A24 FTW So here is my work, inspired by Outland (1981), dedicated to some unrelated community