Thanks for taking the time to join SteeleSync and review our music last week. As a part of a multiple sync communities on skool, i've not seen a reviewer start scrubbing through a track so quickly. So when that happened i have to admit i got in my feelings and was pretty annoyed, and defensive. Tough pill to swallow, but i kept my ears open to what was said. Now that i am removed from the moment and have had time to process the critique, i understand the importance of a track being "visually" appealing as a wave file. I thought i put the track through a mastering process, but in fact i had not. So the visual wave on DISCO had flat spots that looked like no music was there. The takeaway that sits with me most is the reality of how EVERYTHING about a track has to be on point for a sync rep, or music super, to commit to listening to the totality of a track. Joseph talked about this in the critique. He took the time to search the "active" spots of the wave, but truth is most reps, and sups won't even do that. They simply don't have the time. So lessons learned. 1. "Don't discount the double check." (reference intended) make sure the track has completed all processes. 2. The visual appeal of the wave file is your first impression for music professionals who are about to listen to your music. Anyway, Thanks again

My friend Mathew of SteeleSync/Sync Spotlight has launched his new sync community "Sync Radar" so we decided to do a special crossover listening session! Members of both groups will be allowed to attend simultaneously. We are doing it this Friday (Feb 27th, 7pm Est). Submit your music or Disco links to:📧 mrhitsubmit@gmail.com(This is not the email connected to my Disco, so please send the actual link.) Donations:💸 Cash App: $joehitrecord🏦 Zelle: 239-822-2185 Let’s make this another fire session. 🔥🎶

My friend Mathew of SteeleSync/Sync Spotlight has launched his new sync community "Sync Radar" so we decided to do a special crossover listening session! Members of both groups will be allowed to attend simultaneously. We are doing it this Friday (Feb 27th, 7pm Est). Submit your music or Disco links to:📧 mrhitsubmit@gmail.com(This is not the email connected to my Disco, so please send the actual link.) Donations:💸 Cash App: $joehitrecord🏦 Zelle: 239-822-2185 Let’s make this another fire session. 🔥🎶

We have a client looking for emotional tracks about untruthfulness with female vocals for an upcoming docu-comedy series. If you have something in your catalog that is a fit, please submit to the link below by 9am ET, Friday, 2/6/26. Creative Details from the Client: We need songs about not knowing someone you thought you knew. Or something along the lines of hiding something from your loved one. A character finds out a loved one has been hiding a secret from her and we want a great cue to take us out of that scene. Looking for slow, agonizing and emotional with a female vocal. Technical Requirements: All submissions must include: High-quality Master WAV + MP3 Instrumental version A cappella version Confirmed writer/producer splits One-stop clearance (all collaborators must approve) No unauthorized samples No AI-generated music --- Representation & Terms: All music pitched through Hit Record Academy will be represented by Joseph Lopez / Mr. Hit Record Productions as the sync agent. Representation is non-exclusive Joseph/Mr. Hit Record takes 30% NET of any sync fee secured No ownership, no publishing share, and no back-end will be taken from any songwriter or producer

Hey! We have a client looking for positive, uplifting music for an upcoming retail campaign. If you have something in your catalog that is a fit, please submit to mrhitsubmit@gmail.com by 5pm ET, Sunday, 2/8/26. Creative Details from the Client: The only parameters we really need to follow are: Positive and up-lifting. Doesn’t need to be iconic, recognisable or super well known. Doesn’t need to be contemporary (rather not, as we seem to have explored loads of ideas on that front). Needs to work being chopped up in short edits. Very minimal vocals. If there are lyrics they should be English speaking. Think Tarantino films where they often dig down, and a classic that maybe not everyone knows. Mix of genres kind of have to be represented. Can be rock or dance. Must have pace. A couple of current references include: JUMP JIVE & WAIL: https://youtu.be/aHWcN5YxuYc HELLA GOOD by NO DOUBT: https://youtu.be/QtTj4cramPM?si=aDm3xt04JGcHjE4h YOUNG FOLKS: https://open.spotify.com/track/4dyx5SzxPPaD8xQIid5Wjj?si=bbd516a59f3f4b39 Technical Requirements: All submissions must include: High-quality Master WAV + MP3 Instrumental version A cappella version Confirmed writer/producer splits One-stop clearance (all collaborators must approve) No unauthorized samples No AI-generated music --- Representation & Terms: All music pitched through Hit Record Academy will be represented by Joseph Lopez / Mr. Hit Record Productions as the sync agent. Representation is non-exclusive Joseph/Mr. Hit Record takes 30% NET of any sync fee secured No ownership, no publishing share, and no back-end will be taken from any songwritTechnical Requirements: All submissions must include: High-quality Master WAV + MP3 Instrumental version A cappella version Confirmed writer/producer splits One-stop clearance (all collaborators must approve)