I truly believe that what sets us apart as AI filmmakers is a mastery of storytelling and film language. Since many of you have expressed interest in a course on these fundamentals, I wanted to give you a 'first look' at what I can teach you. If there's enough interest in this content, I’ll move forward with developing a full course for the community. Let me know what you think!

Everything about Claude goes here

A nod to a golden era of Hollywood and comic books. 1933... Penny Packer has a secret... well, two, she is in love, no... smitten with Rex Razor... the greatest detective the city has ever known. Only one small problem, she is his secretary and solves most of his crimes on her own as... Lightning Lass. Capable of devastating lightning bolts and able to soar on electrical currents, Lightning Lass is one of greatest heroes in all the world. All the power in the world... maybe, but powerless against the charm of Rex Razor and he is too blind to see it. Some detective. I just was awarded this morning a Creative Partnership with THANKYOU AI (https://thankyouai.com/) and will be creating this series on their platform, one of the few to have Midjourney incorporated in there tools. Very excited.

In the last two weeks: three luxury AI video offers at $10K+ each, an international consultancy role, and award-winning filmmakers joining the directory. The opportunities are real — and growing. Two quick videos: ▶️ Video 1 — The proof: where this is heading and why now matters. ▶️ Video 2 — Meet Scout: the feature that brings the work to you, plus how to make sure you're the one it finds. Watch both, then go complete your profile and get found.

Up to now, the directory has been about getting you found. Today that changes. We just launched Scout — a service where studios, agencies, and brands tell us what they're making, and we hand them a vetted shortlist of AI filmmakers matched to the job. In plain terms: real companies with real budgets are coming to AIFD to hire — and we're the ones deciding who gets put in front of them. Two things I want to be straight with you about up front: You're always first. When a brief comes in, I look at the directory before anywhere else — and members get first shot, every time. If there's ever a gap I can't fill from our community, I'll source outside it and then bring that person onto the directory — so the network only gets stronger, and being a member always puts you ahead of the line, never behind it. I don't take a cut of your work. Scout is paid for by the employers, for the curation and vetting I do. When I connect you, you deal with the client directly, you set your rate, and you keep 100% of it. I'm not a middleman skimming your fee — I'm the person getting you in the room. What this means for you This is a new pipeline of paid work flowing straight through AIFD. The honest part: I can only recommend people whose profiles show they can deliver. When a studio hands me a brief, I pull from filmmakers whose niche is clear, whose reel is strong, and whose work I can vouch for. The sharper your profile, the more likely you land on that shortlist. So depending on where you're at: - Not on the directory yet? You can't be matched to work you're invisible to. Get listed — that's step one. - On a free or half-finished profile? Complete it and level up. Pro unlocks the features that make you shortlist-ready — richer profile, more samples, the niche content that wins contracts. - Already Pro? Make sure your niche, reel, and best samples are dialed in. You're in the pool — help me put you forward with confidence. This isn't pay-to-play. It's quality-to-play. The bar is simply whether your profile proves you can do the work — and that's the same thing that gets you hired anyway.