The story was attention getting, though not unique. The visuals were excellent, and there was a ton of consistency between cuts and scenes. But there were also lots of inconsistencies, as well. Examples: Sometimes she had the glowing blue lines on her face. And in an immediate cut she had none. The scene where the aggressors showed up at the house and shined their headlights at the porch, and the leader demanded they come out. Well, they were already on the porch, and their reaction to the command was to go inside. There were distance and angle inconsistencies regarding the vehicles, the porch, and the interior views, depending on the shot. Another was bloody waist bandages in one shot, then no blood in the next. What all this proves is how amazing the mind can be in filling in, or ignoring those inconsistencies when the story is compelling.

Yeah. Overall, its a pretty good feature. Did you try a generative fill on the flag?

@Michel Diamantis very nice.

If you have Galaxy, you can find it with a search for Kling V3. And I'm definitely going to use this. It looks especially useful for hand gestures and facial expressions that are integral to my animation.