A quick tip for labeling patchbays. There's a program called Patchcad, which is incredible for labeling patchbays, breakout boxes and the likes. A lot easier than fiddling around with excel sheets. You can use sticker paper or visit a print shop and stick them on your gear. It looks way more professional than hand written labels, and is easier to read too, especially with color coding. https://www.patchcad.com/

Hey all, I've just added a new lesson to the Hardware Fundamentals course, which you can find under the 'Classroom' section. Or by clicking on the hashtag below this post. In this topic I'll cover the 'overdubbing' workflow. A good technique when you're new to hybrid production. In this video you'll also learn how to 'comp' different takes into one master take in Ableton Live 12. #Hybrid Recording Workflow

I'm working on a hardware production online course, which will eventually be paid, but for now I'm releasing some of the videos for free. I just uploaded a video about connecting your hardware synthesizer to Ableton. I'll cover some useful settings that can be confusing when you're just getting started with hardware or Ableton. Head over to the 'Classroom' section to check it out. #Connecting your Synth

Forgot how much fun this was. Didn't know it has become a hot vintage item. Any way got some ideas for for tracks on it now, so getting back into it. Not that I doin't have dozens of other things to explore or do lol Sure are tons of good videos on it now, Lot more then when I got it back in 2013. I forgot how much was packed into this

Lots of people complain that ableton isn't very stable and has way more MIDI jitter than other daw's. I just did some tests, and I have to say the difference is imperceptible. What I did. 1. Create the shortest possible noise pulse on my analog rytm. 2. Create a 16th note pattern at 120BPM for 2 minutes. 3. Record this in both DAW's with just one MIDI channel and one audio channel, no plugins. 4. The setup was entirely the same, no background processes and the same buffer size and sample rate. 5. I imported Ableton's recording back into Cubase. 6. There was an overal static offset so I manually lined it up as best as possible. 7. I recorded the audio from cubase 2 times to show variations in the recording itself. The result is practically the same. Sometimes we're just too focussed on details that nobody is ever going to hear.