@Zedan Mutlu do you usually shoot directly in 24fps for the cinematic look and only use 60fps for slow motion, or do you prefer 60fps for more flexibility in post? Curious how everyone else does it too.

What’s the 1 “biggest” thing in your way from levelling up your business/content creator game ? Quick self-reflection time 🕰️ Write it in the comments 📥 don’t be shy

Hey Zedan, quick question about using your PowerGrade/LUT workflow with iPhone footage instead of camera Log footage. I shoot most of my content on iPhone, and I want to make sure I set up DaVinci Resolve correctly before applying the PowerGrade/LUTs. In your “Important Tip” video you go through the project/color management settings, but I assume some of those settings should be different for iPhone footage. What would you recommend for: - standard iPhone SDR footage, - iPhone HDR/Dolby Vision footage, - and ideally Apple Log if I start shooting that way? Specifically, what should the project color management / input color space / timeline color space / output color space be so your PowerGrade works as intended? Also, would you recommend shooting Apple Log on iPhone if the goal is to get as close as possible to your grading workflow? I also have some already-edited/exported iPhone footage from CapCut in SDR/Rec.709. Would you treat that differently from original iPhone camera files when using the PowerGrade? Thank you🤝

Hey guys! In one of the video Zedan mentioned that the LUTs are included and are in the classroom. I've been looking for them, but the only thing I found is this locked Powergrade/LUT pack for $19. I already paid for the course fully, so this was a bit confusing. The video doesn't mention that it's a separate paid product. Am I missing where the LUTs are, or are they no longer included? Does someone know the answer?

How many hours a day do you put in, into making content and business @Zedan Mutlu ?