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7d (edited) โ€ข General discussion
๐น๐‘Ÿ๐‘œ๐‘š ๐ถโ„Ž๐‘Ž๐‘๐‘ก๐‘’๐‘Ÿ ๐‘†๐‘–๐‘ฅ: ๐“๐ก๐ž ๐‰๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐“๐ก๐ž ๐Œ๐ฎ๐ฅ๐ญ๐ข๐ฏ๐ž๐ซ๐ฌ๐ž
๐“๐ก๐ž ๐๐ž๐ซ๐Ÿ๐ž๐œ๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐ซ๐จ๐ค๐ž๐ง Sel
Another radical realization stabilized this point in my #journey: every parallel version of the self not only exists but is already perfect just as it is.
I saw that the "๐‘ฉ๐’“๐’๐’Œ๐’†๐’ ๐‘ฑ๐’‚๐’Ž๐’†๐’”" was exactly as he should be. That version didnโ€™t need fixing, changing, or #transformation. His very purpose was brokennessโ€”to hold that specific frequency within the Infinite.
I wasn't becoming โ€œwholeโ€; I was moving through the different versions of self to the James who already wasโ€”whose very purpose was #wholeness.
๐ˆ ๐š๐ง๐œ๐ก๐จ๐ซ๐ž๐ ๐ญ๐ก๐ž ๐ฆ๐ž๐œ๐ก๐š๐ง๐ข๐œ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ข๐ฌ ๐ฌ๐ก๐ข๐Ÿ๐ญ ๐ข๐ง ๐ฆ๐ฒ ๐ฃ๐จ๐ฎ๐ซ๐ง๐š๐ฅ:
"๐‘Šโ„Ž๐‘’๐‘Ÿ๐‘’๐‘ฃ๐‘’๐‘Ÿ ๐‘ฆ๐‘œ๐‘ข ๐‘”๐‘œ ๐‘–๐‘› ๐‘ฆ๐‘œ๐‘ข๐‘Ÿ ๐‘š๐‘–๐‘›๐‘‘ ๐‘–๐‘  ๐‘กโ„Ž๐‘’ ๐‘Ÿ๐‘’๐‘Ž๐‘™๐‘–๐‘ก๐‘ฆ ๐‘ฆ๐‘œ๐‘ข ๐‘’๐‘ฅ๐‘–๐‘ ๐‘ก ๐‘–๐‘›. ๐‘‡โ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘Ž๐‘Ÿ๐‘’ ๐‘–๐‘›๐‘“๐‘–๐‘›๐‘–๐‘ก๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘™๐‘‘๐‘  ๐‘Ž๐‘ฃ๐‘Ž๐‘–๐‘™๐‘Ž๐‘๐‘™๐‘’ ๐‘ก๐‘œ ๐‘ฆ๐‘œ๐‘ข. ๐‘‚๐‘›๐‘’ ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘ฆ๐‘œ๐‘ข ๐‘ ๐‘ข๐‘“๐‘“๐‘’๐‘Ÿ. ๐‘‚๐‘›๐‘’ ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘ฆ๐‘œ๐‘ข ๐‘ก๐‘Ÿ๐‘–๐‘ข๐‘š๐‘โ„Ž. ๐‘‚๐‘›๐‘’ ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘ฆ๐‘œ๐‘ข ๐‘’๐‘ฅ๐‘๐‘’๐‘Ÿ๐‘–๐‘’๐‘›๐‘๐‘’ ๐‘™๐‘œ๐‘ ๐‘ . ๐ด๐‘›๐‘œ๐‘กโ„Ž๐‘’๐‘Ÿ ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ก๐‘œ๐‘Ÿ๐‘ฆ ๐‘๐‘œ๐‘›๐‘ก๐‘–๐‘›๐‘ข๐‘’๐‘  ๐‘œ๐‘›. ๐‘‡โ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘Ž๐‘Ÿ๐‘’ ๐‘Ÿ๐‘’๐‘Ž๐‘™๐‘–๐‘ก๐‘–๐‘’๐‘  ๐‘œ๐‘“ ๐‘“๐‘’๐‘Ž๐‘Ÿ ๐‘Ž๐‘›๐‘‘ ๐‘ ๐‘ข๐‘Ÿ๐‘ฃ๐‘–๐‘ฃ๐‘Ž๐‘™, ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘Ž๐‘Ÿ๐‘’ ๐‘Ÿ๐‘’๐‘Ž๐‘™๐‘–๐‘ก๐‘–๐‘’๐‘  ๐‘œ๐‘“ ๐‘™๐‘œ๐‘ฃ๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘Ÿ๐‘–๐‘ฃ๐‘–๐‘›๐‘”. ๐ผ๐‘ก ๐‘–๐‘  ๐‘Ž๐‘™๐‘™ ๐‘Ž๐‘๐‘๐‘œ๐‘Ÿ๐‘‘๐‘–๐‘›๐‘” ๐‘ก๐‘œ ๐‘คโ„Ž๐‘Ž๐‘ก ๐‘ฆ๐‘œ๐‘ข ๐‘–๐‘‘๐‘’๐‘›๐‘ก๐‘–๐‘“๐‘ฆ ๐‘ค๐‘–๐‘กโ„Ž. ๐‘Œ๐‘œ๐‘ข ๐‘‘๐‘œ๐‘›โ€™๐‘ก ๐‘’๐‘ฅ๐‘๐‘’๐‘Ÿ๐‘–๐‘’๐‘›๐‘๐‘’ ๐‘กโ„Ž๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘™๐‘‘ โ€˜๐‘œ๐‘ข๐‘ก ๐‘กโ„Ž๐‘’๐‘Ÿ๐‘’โ€™. ๐‘Œ๐‘œ๐‘ข ๐‘’๐‘ฅ๐‘๐‘’๐‘Ÿ๐‘–๐‘’๐‘›๐‘๐‘’ ๐‘กโ„Ž๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘™๐‘‘ ๐‘–๐‘› ๐‘ฆ๐‘œ๐‘ข๐‘Ÿ ๐‘š๐‘–๐‘›๐‘‘, ๐‘Ž๐‘›๐‘‘ ๐‘–๐‘ก ๐‘”๐‘’๐‘ก๐‘  ๐‘๐‘Ÿ๐‘œ๐‘—๐‘’๐‘๐‘ก๐‘’๐‘‘ โ€˜๐‘œ๐‘ข๐‘ก ๐‘กโ„Ž๐‘’๐‘Ÿ๐‘’โ€™."
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James Valentine
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๐น๐‘Ÿ๐‘œ๐‘š ๐ถโ„Ž๐‘Ž๐‘๐‘ก๐‘’๐‘Ÿ ๐‘†๐‘–๐‘ฅ: ๐“๐ก๐ž ๐‰๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐“๐ก๐ž ๐Œ๐ฎ๐ฅ๐ญ๐ข๐ฏ๐ž๐ซ๐ฌ๐ž
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