We will be doing our practise club this week on Tuesday at 5.30 UK time. I just got back from a great weekend teaching in Malaga and I’m raring to go! If you want a free try, just comment on this post or send me a direct message on here and il set you up!

Hi all, I wanted to see what was the recording that made you decide you wanted to play jazz in the first place? I remember my grandfather (a jazz clarinetist) telling me about Django and Stephane, he told me about Djangos injured hand when I was about 14 and gave me a CD compilation of the hotclub quintette. I remembered the story wrong and thought it was Stephane who only had 2 working fingers. This is the tune that I listened to a lot around this time, it was a while before I started trying to play jazz but I loved this recording of the Bach double Concerto.

Hey all, What have you been working on this week? Does anyone have a good suggestion for others to practise over the weekend?

Hey all, At the moment I’m working on intonation and difficult keys. I’m mainly taking lines that I would often play in more violin friendly keys and trying to make them work in tougher ones. This is a ii-V-I line in B major. What are you up to today?

Welcome to Learning Jazz Violin. This is a place of support and community for people who are, well… learning jazz violin. Please introduce yourself to the rest of the group by posting in the community discussion board. I’m Matt Holborn, a jazz violinist based in London UK. A lot of what I do is within the Django and Stéphane style, but I’m also passionate about straight ahead, swinging jazz, and different forms of folk music. I also play in musical comedian Bill Bailey’s live band. In this community you will find: • A free discussion board for posting about anything jazz violin related • 2 free courses in the Classroom section (Bowing, and Learning Honeysuckle Rose) There are also lots of different paid courses (which you can currently access by signing up to a paid tier). Each of them is designed not only to give you information but to help you get into the mindset of a jazz violinist. I teach by ear with videos, technical exercises based on jazz language, and assignments based on opening up your violin playing with harmony and improvisation. I don’t have a one-size-fits-all method because that just isn’t how jazz works for me. My teaching is about showing you how many jazz musicians think, and how you can use that to shape your own musical voice in jazz. I hope you enjoy using this space with us! Matt