Full article about diversifying documentary content on different mediums
There have been a lot of industry conversations in HotDocs, and here's a great one about how to think about your documentary in the time of content creation / Youtube starting to dominate the conversation. https://realscreen.com/2025/05/05/cbc-orders-doc-project-on-controversial-femininity-trends-from-peacock-alley/?utm_source=newsletter&utm_medium=email&utm_campaign=cbc-orders-doc-project-on-controversial-femininity-trends-from-peacock-alley&_u=dDQuNioHM6I%3d It's behind a paywall, so I copy/pasted it below: The themes dominating last week’s Hot Docs Industry Conference were, unsurprisingly, the ever-multiplying existential threats facing the contemporary independent documentary landscape. Most notable among these, naturally, are the continued draining of dollars from the doc market in the face of buyer contraction and conservatism, as well as fears (which were soon to be realized) of an unprecedented escalation of the long-running campaign against public media under the Trump administration. Streaming, once seen as a boon for the “Golden Age of Documentary,” is now another one of those commonly invoked threats, most often in regards to the economic impact that SVODs are having on the doc field. But a corresponding theme, which ran through several panel discussions across the Hot Docs conference, is what effects social media — including, it almost goes without saying, YouTube, the world’s most-watched video platform by orders of magnitude — is having on the very language of documentary filmmaking, and by that, on the vocation of “documentary filmmaker” itself. “There’s been a lot of talk [that] the creator economy is overcoming traditional media — that what people engage with [most] is quote-unquote ‘creator content,’ which is usually short-form content, not longform,” observed documentary filmmaker and consultant Jon Reiss, moderating a panel on doc marketing. “So, there’s this push that filmmakers should in a sense abandon longform content and become creators, or alternatively, become creators in addition to being filmmakers.”