@Michael Ramhardter From my own experience, it's easy to focus too much on the music itself. What I learned from this course is that as trailer music composers, we have to remember that our tracks are, above all, "tools" for trailer editors. The track has to be easy to cut, which is why gaps and breaks are crucial for separating acts. Sound effects (hits, risers, downers, etc.) also need to be clear to provide natural edit points. Trailer editors are visual artists—they often look at a track’s waveform first. I recently realized that successful trailer tracks have remarkably defined, clean structures just by looking at the visual waveform.