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Owned by Lawrence
From film prod to web dev. Learn how AI can assist you in bringing your creative visions to life. Join our community of creators on the cutting edge.
Film Editing, Post-Production. In-depth training to become a professional feature film & television assistant editor, the 1st step to full editor!
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116 contributions to AIography: The Pro AI Film Lab
3h ā¢Ā
Live Call Tech Support Nightmare š¤¬
Hi All, I was not able to connect AGAIN today because of some kind of misconfiguration issue with my Skool account. I apologize to everyone profusely. I have been in contact with TS on and off all day and will hopefully have it sorted out by tomorrow. Thanks for your patience and understanding. I'll be posting an update as soon as this has been solved or when I have more information. - Larry
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1d ā¢Ā
This week in AI filmmakingā¦ things escalated.
A digital āTillyverseā for AI actors is coming. The WGA West canceled its awards ceremony over a staff strike. Luma dropped Ray 3.14 and put $1M on the table at Cannes. And fresh data from 120,000+ AI-generated videos shows just how mainstream this has become. Whatās fascinating isnāt just the tech getting better (it is). Itās that acceleration and resistance are happening at the same time. On one side: synthetic talent ecosystems, production-ready video engines, vertical video dominance, global adoption. On the other: labor unrest, anti-AI film festivals backed by Oscar winners, and guild tensions playing out in public. Weāre not watching a trend. Weāre watching the industry reorganize itself. I break all of this down in todayās AIographyāincluding what actually matters for filmmakers trying to build careers right now (not just argue on Twitter). If youāre not subscribed yet, itās free and takes about 7 minutes to read. š Click HERE to subscribe. And as alwaysāI'm curious: Are we heading toward two parallel Hollywoods? Or does this all eventually merge? Letās discuss.
14d ā¢Ā
š Founding Members Is Now Open ā $29/Month, Locked In For Life
I just posted something I've been working on for a while, a video that explains exactly what AIography is, where it's going, and why I built it. The short version: I've spent 40 years editing at Warner Brothers, Sony, Disney, HBO, and Netflix. I was there when Avid replaced film. I consulted on Final Cut Pro before it had a name. Every time a transformative technology hit, I watched the same thing happen: everyone focused on the shiny new thing and forgot about the craft. It's happening again with AI. And almost nobody is talking about story. That's what this community is about. š¬ Watch the video below. If what I'm saying resonates, I'm now offering a Founding Member tier for $29/month, or pay annually and get two months free. Locked in for life. Full access to everything I'm building: courses, live workshops, Lumarka early access, and direct access to me. This window won't stay open forever. Head to the Classroom and hit the Founding Member upgrade. Then come back here and introduce yourself. I want to know who's in the room.
2 likes ā¢ 9d
Hi @Vlad Asimionesei, that is a great question, which I don't have the answer to at the moment. I will check with the powers that be at Skool support and let you know what I find out.
1 like ā¢ 3d
@Elisheba Perry Elishebaā¦ I love this so much. But youāve got me confused with the other Larry Jordan. Yes, there are two of us. Itās a long-running saga. š About a year after Creative Planet acquired 2-Pop, I was itching to get back into cutting and took a film at Disney. I wasnāt watching the site as closely anymore, and one day I log in and see an article written byā¦ Larry Jordan. I nearly fell out of my chair. I called and asked if they were publishing pieces under my name that I hadnāt written. The response? āNope. Thereās another Larry Jordan.ā Turns out he was a Final Cut Pro trainer and expert. Which, given my background, was about as confusing as it gets. š¤Æ Thatās when I started consistently using āLawrence Jordanā and adding the ACE after my name, just to keep the editorial multiverse from collapsing in on itself. All that said, Iām genuinely glad Larry Jordan helped you make that leap. Those film-to-digital transitions shaped all of us. And I love your perspective, every job since then existing because of that shift. Exactly. Welcome to this next one. Thrilled to have you here as a founding member.
12d ā¢Ā
"Ceremony" by Mark Wachholz
I want you to see this film, which recently won the SHARED TRACE category at the UnHuman Shorts Season II festival. Forget Tom Cruise and Brad Pitt fighting on a rooftop. This is what the future actually looks like. A beautiful, funny, and amazing work done entirely by one person and AI. This is what AI filmmaking looks like in an experienced filmmaker's hands. The story pulls you in, the camera work is elegant, and the editing is pitch-perfect. Watch the film. Share your thoughts about it with the rest of us. Subscribe to Mark's YouTube Channel.
0 likes ā¢ 9d
@Jen Calbi Jen, this is exactly something I've been thinking and saying for a while now. AI-generated work is very likely going to become its own genre. It's not live action and it's not animation ā it's something entirely new. Really astute observation. And yes, absolutely ā post your recut and I'll give you my notes. Fair warning though: prepare to be roasted! š (Kidding. Mostly.)
0 likes ā¢ 3d
@Jen Calbi Thanks, Jen. I was just talking to someone about this today, and I don't think so necessarily unless it's some kind of completely non-traditional or experimental arc. I also agree that AI-generated films could become their own genre, living somewhere between live action and animation. We'll have to see how it evolves.
Dec '25 ā¢Ā
Dusting myself off, getting back on the horse.
Hey all, I'm Lawrence (Larry) Jordan from California. I was a professional film & TV editor here in LaLa Land for 30+ years, and with luck and good timing, I became one of the first people to edit a movie digitally on a computer, maybe some of you have heard of called the Avid Media Composer. That experience got me hooked on tech, which led me to building websites around my area of expertise. In 2018, I launched a very niche site and course that's now put 2,000+ students through it across 40+ countries. The turbulence in the film industry has slowed that biz to a crawl, but about 18 months ago I started immersing myself in AI, and I've been officially obsessed ever since. I've been building all kinds of tools with AI but haven't sold anything yet. However, I'm developing a major SaaS platform for AI filmmaking that will be in beta Q1 2026. I also run a newsletter and free Skool community called AIography for anyone interested in AI filmmaking. I really dug Trevor's intro video and know I can learn a lot from him and his group. So check it out if your interested.
1 like ā¢ 3d
@Alex Klim Welcome, Alex. Glad you're here!
0 likes ā¢ 3d
@Princess Imperial Thank you,šš¼ Princess.
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@lawrence-jordan-3607
Film & TV editor, web entrepreneur, creator of AIography.ai & mastertheworkflow.com. I've consulted Apple, Adobe, Avid & others on digital video apps.
Active 3h ago
Joined Sep 19, 2024
Southern California
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