Activity
Mon
Wed
Fri
Sun
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
Apr
What is this?
Less
More

Owned by Viktor

FILMTIPPS

25 members • Free

Film- & Serienempfehlungen von Menschen. Für alle, die abends schneller den richtigen Film finden wollen. 🍿 Was schaust du Heute?

Memberships

Popcorn & Lieblingsfilme

8 members • Free

AI Video Creators Community

5.1k members • $9/month

Consistent Characters

117 members • Free

AI Video Bootcamp

18k members • $9/month

AI Content Creation Community

4.4k members • Free

11 contributions to Consistent Characters
Alita: Chased by a Mech-Warrior
Hey Folks! Sometimes it's better to retreat.
Alita: Chased by a Mech-Warrior
1 like • 8d
@Patrick Taylor 😂😂😅 the first part is generated with grok. The second with Kling 3.0. Little Color correction, music added in CapCut. I’m actually surprised grok did a better job with holding my face through the video.
1 like • 8d
I just wanted to See how the different Models are working today. That changes so fast. Hahaha no German would not be a pre Requisite in these days. Ai makes it possible that everyone could understand. But i am way to busy right at the moment to think about a new Skool Community… but if you have any questions just let me know.
Spec ad & workflow
Today around noon, I spontaneously felt like creating a spec ad. No long preparation. Just the decision to take an idea and execute it straight away, and see how far I could get in a short amount of time with a clean AI based workflow. Pretty early on, I knew I wanted to do something with Amazon. The next step was finding the right scenario. I wanted an environment that creates tension immediately. Since I already had Artemis on my mind, a space setting felt like the obvious choice. That led to the core idea: if something breaks while being out in space, what would a solution look like if it had to arrive fast and get straight to the point? I started by building the astronaut in Nano Banana 2. That gave me a clearly defined main character right from the beginning, and I knew exactly how he should look across all shots. I also generated the rest of the images with Nano Banana 2 and built the visual world step by step. In the next stage, I turned the shots into moving footage with Kling 3.0. Deliberately without sound and without music, because I wanted to control image, voice, and sound design separately. I then created the music with Suno. The dialogue between the astronaut and Houston was generated with ElevenLabs. For that, I picked two voices that worked well together for me. After that, I edited the voice tracks in CapCut and added a distortion effect so the whole thing sounded more like real radio communication. I also added a few radio and interference sounds to make the atmosphere feel more believable. In the end, everything came together in Premiere. That is where I did the final edit and assembled the visuals, music, dialogue, and sound design. From the initial impulse to the finished spot, the whole process took me around three hours. Once the idea is in place and the tools work well together, you can build a complete piece in a short amount of time that feels coherent from start to finish. I am happy with the result.
Spec ad & workflow
1 like • 13d
@Patrick Taylor thanks Patrick. All the people that have seen the clip, seem to like it. I’m gonna send it to Jeff Bezos. Who knows ? Perhaps with a little luck he is gonna see it.
0 likes • 13d
@Patrick Taylor that’s hilarious 🤣
Black Ethos: Pyramid Sequence (Animated)
Hey Folks! This is an un-editing video from inside the Pyramid. Tools Used: - ChatGPT (Images) - VEO 3.1 Lite (image-to-video) - Google Flow Scene Builder
Black Ethos: Pyramid Sequence (Animated)
1 like • 16d
@Patrick Taylor nice, i like the look and I can feel the scene. It has a beautiful, dreamlike quality, and that is a good foundation. The only issue is that the shots run too long. Try pulling screenshots from the existing material. Either rebuild those frames as accurately as possible, or, if the resolution holds up, push into the image and create short 4 second clips from those moments. Then cut them back into your master shot. Bring in more variation in perspective. Move from a wide shot into a close up, and place a detail shot in between. That shift in scale will give the sequence more rhythm and tension. Keep the original music underneath, because it will help connect the different images and make the sequence feel cohesive. On top of that, add sound selectively wherever you feel it strengthens the image or supports the emotional impact.
Damn , my face fits the Hellboy look way too well.
I started with two to three reference photos and generated the base stills in Nano Banana 2. After that, I converted everything to black and white because the overall look felt stronger that way. Then I brought the images into Kling 3.0 and Grok. The prompts were kept very simple. I mainly wanted multiple angles and close ups, then let the models run with it. In total, I got five short clips ranging from about five to fifteen seconds. I edited everything together in Premiere. One issue was that some of the Grok clips pushed the black values too hard, so parts of the footage shifted away from a normal photorealistic look and started leaning more into a high contrast Sin City type aesthetic. That was hard to fully correct in post, so I added grain across the full piece to help unify the material and make the overall look feel more consistent. After that, I generated the voice over in ElevenLabs and finished the full edit in Premiere. For Instagram and TikTok, I added a Hellboy soundtrack directly from each platform’s music library. Since I already knew the track beforehand, I was already cutting with that rhythm in mind. Total work time was around twenty minutes. Pretty fast process, very simple prompts, and still a fun result. What surprised me most is how absurdly well this Hellboy makeup actually suits my face.
Damn , my face fits the Hellboy look way too well.
1 like • 16d
I was using the basic plan before. It is basically the same. But I generate tooo many videos I think in the free plan are 20-30 video generations per day. I have produced this short film with the free plan of grok. I have literally paid no money for this. The pictures were generated with free Chat GPT, the videos with free grok, I have made all the sounds with my iPhone. Recorded with the Memo function. And the music was the free version of Suno. So it is possible to get some cool stuff for free.
1 like • 16d
@Patrick Taylor Perfect. My intention was never to tell a predefined story. It was to create a short experience. I gave the piece only as much information as it needed, no more. Because of that, every viewer can arrive at a different reading. One person may sense a religious theme, another may think it is about marriage, a third may read it as a dream, and someone else may dismiss it entirely as nonsense. The whole film is carried by foley design and music. Once it ends and the viewer starts asking, What was that about?, the mind begins to fill in its own answers based on what was felt rather than what was explicitly explained. The black screen at the end was not originally planned, but it turned into a crucial part of the experience. It forces the viewer, almost against their will, to sit with what they have just seen and confront it. In those few seconds of darkness, when the mind starts asking, Is that it? Is something else coming?, the film is still working. The experience does not end with the image. It continues in the viewer’s head. That said, this only works with people who are willing to engage with the piece on its terms. It is not a mainstream mechanism, and it is not something you should treat as a general audience lever. On social media, this approach would most likely fail, because the environment does not reward patience, reflection, or ambiguity in the same way.
Hi! Watcha Doinnnnnnnnn'?
Hey Folks! I'm just going with the flow... wondering what you folks are up to, if you read this message, tonight/early morning. I checked-off tasks on my to-do list, and I can start on others but... I'm going for a quick walk and then food. I hope you Rock'd this day!
Hi! Watcha Doinnnnnnnnn'?
1 like • Mar 19
@Patrick Taylor That’s actually a really interesting detail, because milk in film is never random. It carries meaning. Milk usually represents innocence, childhood and purity. So when a character who is clearly dangerous or evil drinks milk, it creates a psychological contrast that makes them feel even more disturbing. You see that with characters like Hans Landa in Inglourious Basterds or Alex in A Clockwork Orange. A more modern example is Homelander in The Boys, whose obsession with milk pushes this even further and makes his instability and psychological issues even more uncomfortable to watch. What makes this so effective is the clash between something pure and something deeply wrong. That contrast creates tension and makes the character feel more unpredictable and unsettling. What’s interesting with Léon: The Professional is that it works the other way around. Léon drinks milk too, but instead of making him feel more disturbing, it reinforces his innocence. Jean Reno plays him almost like a child in an adult body, emotionally simple and not fully developed, despite being a hitman. The milk supports that idea and makes him feel pure in a strange way, even though his actions are violent. So depending on how it is used, the same detail can either make a character feel more monstrous or more human.
0 likes • Mar 19
@Patrick Taylor ❤️
1-10 of 11
Viktor Kalafus
3
17points to level up
@viktor-kalafus-3440
Content-Creator und Filmdozent. In meiner Community tauschen wir Filmtipps aus, damit man schneller den passenden Film findet.

Active 4h ago
Joined Mar 7, 2026
Bremerhaven